Typotheque

Articles

    • Letter Fountain, book review

      by Ben Archer


      Detailed look at the English edition of Letter Fountain, typographic reference book examining the form and anatomy of Latin alphabet. Read this article Reviews 1218 words, English
    • Jan van Toorn, Critical Practice

      by Peter Biľak


      Third in the heavily subsidised series ‘Graphic design in the Netherlands’, Jan van Toorn, Critical Practice takes on the difficult task of exploring and striving to elucidate the work of Jan van Toorn (JvT), a designer who is not always clear about his intentions, who makes frequent use of inexplicable images and text, and whose work is often described with concepts such as ‘alienation’, ‘incomprehensibility’, ‘defamiliarisation’, ‘digressions’ and ‘intrusion’. Read this article Reviews 896 words, English
    • Designing Type — book review

      by Peter Biľak


      As a teacher of type design and typography I have always wished for a book which I could recommend to my students without hesitation, and so I was excited to receive Karen Cheng’s Designing Type. As the author remarks in her introduction, there are simply very few books that explain the type design process comprehensively. Read this article Reviews 267 words, English
    • Sandberg, Designer and Director of Stedelijk

      by Peter Biľak


      Graphic designer Willem Sandberg became the director of Amsterdam’s Stedelijk Museum in 1945. From that time until 1962 he designed almost all the printed matter for the Stedelijk and transformed the museum, introducing new ideas into the stuffy world of museums of that time. Read this article Reviews 1094 words, English
    • E-A-T, a selection of contemporary Czech and Slovak type design

      by Dan Reynolds


      Dan Reynolds reviews a travelling exhibit of Czech and Slovak type design from the past two decades, and compares this exhibit to the Fresh Fonts exhibit of Swiss design shown in Zurich until July 2004. Read this article Reviews 2013 words, English
    • Why Not Associates?2

      by Peter Biľak


      A critical review of the London-based design group’s second collection of work, published in 2004. Peter Biľak’s review, first appearing in Items magazine, poses questions about the role of self-promotional design publishing as he describes the visually stimulating work of a contemporary design studio. Read this article Reviews 592 words, English
    • The Book of Probes

      by Peter Biľak


      A critical review of a new book featuring excerpts of Marshall McLuhan’s work, designed by David Carson. Tha author considers the complex task of illustrating McLuhan’s intricate work, and whether or not Carson’s visual devices are successful. Read this article Reviews 675 words, English
    • State of the Arts publishing

      by Stuart Bailey


      Two books are reviewed and compared: one, a Phaidon book by Steven Heller on the history of avant-garde publications from the early 20th century on, the other, a glossier Taschen book featuring the recent design work of some 100 studios. Read on as Stuart Bailey puts the two in a ring together and hands Heller a very large pair of gloves. Read this article Reviews 1633 words, English
    • Context in Critique (review of Emigre No.64, Rant)

      by Dmitri Siegel


      A review of Emigre Number 64, the Rant issue, where upon its pages designers do just that. Siegel talks about the old Legibility Wars of the 1990s, how design is being produced, thought of and critiqued today and in the 1990s, and he even provides an interesting background of the Dutch design environment as a foil for the maintream of the western design world. Read this article Reviews 2127 words, English
    • The Boulevard of Broken Dreams

      by Steven Heller


      A review of a new comic strip novel by an ‘underground comix master’, full of complex plot lines and psychologies, stories about and parodies of the underbelly of the cartoon business, all drwan exquisitely. Read this article Reviews 633 words, English
    • Bruce Mau: Life Style

      by Stuart Bailey


      A review, first appearing in Items first issue, of Bruce Mau‘s other large book, which arrived three years after S,M,L,XL. Described is an interesting archaeology of contemporary culture and design. Read this article Reviews 899 words, English
    • Edward Fella: Letters on America

      by Steven Heller


      Steven Heller, in his affable way, reviews a book by Lewis Blackwell and Lorraine Wild which takes on Ed Fella's Polaroids of found graphics and alphabets throughout the US as well as some of his lettering. The book sounds like a lively account of American vernacular lettering and images, as well as a good platform to view Ed Fella's own work. Read this article Reviews 975 words, English
    • R. Crumb: Odds and Ends

      by Steven Heller


      A collection of Robert Crumb’s lesser known work spanning three decades gives credence to Steven Heller's claim that Crumb is the god of comics. Heller also gives a bit of background to the New York/US counterculture that Crumb fed with his racy work. Read this article Reviews 594 words, English
    • Tomi Ungerer, A Childhood Under the Nazis

      by Steven Heller


      The autobiography of iconoclast Tomi Ungerer is a fascinating first-hand account of his childhood under Nazi occupation. It is also a rare visual collection of his dangerously rebellious drawings from the time as well as the dark ephemera he collected, making this a rare combination of cultural and political documentation and artist's history. Read this article Reviews 1194 words, English
    • Tibor Kalman: Perverse Optimist

      by Andrew Blauvelt


      A review of the late Kalman’s monograph in context, with a brief background of Tibor’s influential design work and approach to its role in the consumer culture of the 80s and 90s. Read this article Reviews 1726 words, English
    • Jack

      by Stuart Bailey


      A critical review and description of an open-structured live multimedia performance series which took place in the Netherlands in 1999. Read this article Reviews 531 words, English
    • Wolfgang Weingart: Typography

      by Stuart Bailey


      A useful critical review of the monograph from the Swiss designer who bent the Swiss grid. Stuart Bailey looks at the contradictions in Weingart's book and his design work in context. Read this article Reviews 784 words, English
    • Maeda@media

      by Peter Biľak


      A review of John Maeda's monograph from 2000. A critical look at the book's design, and the philosophy and work of the new media designer/artist. Read this article Reviews 540 words, English
    • The Swastika: Constructing The Symbol

      by Steven Heller


      An in depth account of Malcolm Quinn’s book about the swastika, which investigates in depth the history and function of the symbol, beginning with its earliest manifestations in cultures around the globe and even its pre-Nazi uses in western commerce, then focusing on its forever tarnishing appropriation by Hitler. Read this article Reviews 1841 words, English
    • Reports of Its End Have Been Exaggerated

      by Michael Bierut


      A review of Lewis Blackwell’s book The End of Print: The Graphic Design of David Carson. The review contains an archaeology of the state of design in the mid-90s and some of the discussions which surrounded the work of the surf pro gone design star. Read this article Reviews 1330 words, English
    • Playing by Mr. Rand’s Rules

      by Michael Bierut


      Paul Rand’s design philosophies, latter publishing history and vinegar attitude to 90s design is discussed in this review of several of Rand’s books of his essays and design. Read this article Reviews 1329 words, English
    • 10 Issues of Fuse

      by Michael Rock


      A thorough albeit pointed review, from a perspective of the early 1990s, of Neville Brody’s and Jon Wozencroft’s pioneering magazine Fuse. A timely piece of history for those interested in the design of type. Read this article Reviews 2662 words, English
    • Helvetica: Homage to a Typeface, review

      by Andy Crewdson


      Lars Müller is taken to task for his religious reverence for and faith in the omnipresent Helvetica, and the book he produced which is described as a sort of universalist, modernist gospel but several decades misplaced. What one might come away with from the book and review is the possibility that type preferences are simply individualistic... so what does it matter anyway? Read this article Reviews 2322 words, English

Connect

RSS feed Vimeo Flickr