Typotheque Font Collection

Fedra Sans Screen is specially engineered and optimized for exceptional readability on the computer monitor. This small family of four weights combines art, craft and engineering to achieve crystal clear results on screen using a system of ‘hinting instructions’.

Fedra Mono Screen is specially engineered and optimized for exceptional readability on the computer monitor. All the characters share the same widths, which makes it suitable for tabular setting when the layout benefits from vertical alignment of the characters.

This is a TrueType version of Fedra Serif, specially hinted for the ClearType rasterizer. A multilingual contemporary low-contrast serif typeface with short descenders and ascenders intended to work at extremely small sizes.

Plan Grotesque is a sturdy, unpretentious typeface for text of any kind; it is a functional workhorse, but has enough character to be distinctive at larger sizes. Plan Grotesque has distinguishing closing terminals, and true italics.

A space saving version of Plan Grotesque, a sturdy, unpretentious typeface for text of any kind. It is a functional workhorse, but has enough character to be distinctive at larger sizes.

A display version of Plan Grotesque, well suited for large signage as well as traditional print use. The stencil cuts emphasise the stroke terminals and give the typeface a crisp and playful character.

A display version of Plan Grotesque with space saving proportions. The typeface is appealing in large signage as well as traditional print use. The stencil cuts emphasise the stroke terminals and give the typeface a crisp, playful character.

A Devanagari companion to Fedra Sans typeface. Fedra Hindi is Unicode compliant font and comes in 5 weights with full support for conjuncts.

A capital-only typeface in 9 weights for display purposes. Each letter comes in regular, inverse and half-inverse versions, allowing the creation of typographic patterns using the negative spaces of the letterforms.

Irma Slab is a geometric capital-only slab serif typeface suitable for display purposes in 9 weights. Each letter comes in regular, inverse and half-inverse versions, allowing the creation of typographic patterns.

Nara escapes traditional type classification. It exhibits characteristics of humanist typefaces, but also modern typefaces. It comes with two different styles for emphasis—narrow upright cursive, and slanted italic.

Klimax is a display typeface with four styles and OpenType features meant for use at extremely large sizes. Klimax includes two basic styles, Plus and Minus — the heaviest and the lightest possible styles that can be made.

A condensed version of Greta Text, a typeface designed for the demands of newspaper printing. It consists of four primary text weights (each in three grades) and is optimized for use at small sizes.

A condensed version of Greta Display designed with increased contrast, tighter spacing and more refined details; it is ideally suited for headline typography and nameplates.

A condensed version of Greta Grande designed with very tight spacing, refined details and extreme contrast between the thick and thin strokes; it is ideally suited for headlines and nameplates.

An elegant typeface suitable for setting books and magazines. Brioni developed spontaneously from practice with a broad-nib pen, but the result is a hybrid of calligraphic influences and subtle manipulation of the stroke terminals.

A sturdy slab serif for text of all sizes, but especially suitable for fine print. Its proportions and colour make it suitable for any running text. A highly functional typeface family that is easy to work with and inviting to read.

A display typeface system consisting of 21 layers inspired by the evolution of typography. These 21 independent typefaces share widths and other metric information so that they can be endlessly recombined.

A collection of 8 display typefaces designed with very tight spacing, refined details and extreme contrast between the thick and thin strokes; it is ideally suited for headlines and nameplates.

Designed to complement text versions of Fedra. It is specifically intended to suit the needs of editorial design – the conditions of newspaper and catalogue printing in which strong, compact headlines are important.

A contemporary, friendly, legible and elegant Arabic typeface with open counters suitable for small sizes. As the Arabic companion to Fedra, it is a versatile typeface that works for both printed matter and on-screen reading.

A contemporary typeface family specifically designed for the demands of newspaper printing; it consists of four primary text weights (each in three grades) and is optimised for use at small sizes.

Greta Display was designed with increased contrast, tighter spacing and more refined details; it is ideally suited for headline typography and nameplates.

A collection of extra heavy fonts for use in large sizes. These fonts are optimised for compact setting, and the condensed versions are constructed to help designers deal with variable-length headlines.

A collection of six very thin, nearly monolinear fonts ideally suited for headline settings where space is limited and a strong, contemporary appearance is desired.

Born out of curiosity as to what would happen if all the ‘features’ of Fedra Sans were removed. It relies on a subtler means of letter construction, establishing the recognisable identity of the typeface through the simplicity of shapes.

The first full IPA font to treat the glyphs as individual letterforms drawn according to the same principles as Fedra Serif rather than just mirroring existing glyphs. Designed for use in dictionaries.

Fedra Sans Condensed is intended mainly for print, where differentiated letter widths can be helpful when setting complex texts. Of course, the font can be used independently as a space-saving typeface.

A modified version of a space-saving typeface to be used where differentiated letter widths can be helpful when setting complex texts. It is intended mainly for print.

A multilingual contemporary low-contrast serif typeface with short descenders and ascenders intended to work at extremely small sizes. It can be used in media as diverse as postage stamps and museum signage.

In comparison to Fedra Serif A, version B has increased contrast and longer stems, making it suitable for high-resolution printing and display sizes where its shape can be better appreciated.

A geometrical sans serif font family with a stroke width which is almost monolinear and two different kinds of italics. As a text font, Jigsaw has a balanced appearance, while in larger sizes it is a particularly distinctive typeface.

All the characters of Fedra Mono share the same widths, which makes it suitable for tabular setting in which the layout benefits from vertical alignment of the characters (such as in spreadsheets, computer code or correspondence).

A geometric sans serif font family with a stroke width which is close to monolinear and two different kinds of italics. Primary skeletal letterforms provided a foundation for subsequently-derived stencil versions.

A contemporary sans serif typeface developed for visual identities, designed to work equally well on paper and on the computer screen. Exceptionally readable at small point sizes and exceptionally elegant at larger ones.