- Fonts Products Help & other pages Articles Authors Fonts in use Studio Work
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Fonts (2)
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Products (10)
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The 100-Year Calendar
Plan your future or just contemplate the beautiful pattern of numbers. This oversized A0 poster presents all... -
Dot Dot Dot 16
Bi-annual independent art/design publication which began life as a graphic design magazine, but whose content... -
Dot Dot Dot 14
Bi-annual independent art/design publication which began life as a graphic design magazine, but whose content... -
Dot Dot Dot 13
Bi-annual independent art/design publication which began life as a graphic design magazine, but whose content...
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Help & other pages (1)
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Articles (12)
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Ways of Seeing, book review
More than 35 years after the seminal art book Ways of Seeing was published, Peter Biľak looks closely at its continuing relevance. -
The Last Supper
Emily King briefly looks at visual artists use of type, and their collaboration with designers in their work. -
Designed Screens
Screens of all sorts, their histories and their metaphors are approached in this theoretical discussion which take on the panopticon, Clinton’s inauguration and the largest movie screen in the world. -
The Designer as Producer
Walter Benjamin’s ideas are explored (amongst other early 20th century avant-garde artists) in relation to the recent discussions around expanding the designer’s role from that of problem solver to one of author—and producer.
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Authors (4)
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Stuart Bailey
Born York, UK, 1973. Studied graphic design, Reading, UK, 1991-95. Part of the first group of participants at the Werkplaats Typografie, Arnhem, NL, 1998-2000. Dot Dot Dot magazine editing with Peter Biľak from 2000. Currently leading... -
Paul Haworth
www.homelovin.co.uk -
Catherine Zask
Catherine Zask (1961) is a French graphic artist and designer. She graduated from the ESAG (Paris) in 1984. Started her career in 1985 as an independent designer, works with cultural institutions and private-enterprises. In 1993 she was a resident at... -
Jürg Lehni
Jürg Lehni, born 1978, Lucerne, lives and works in London and Switzerland. He studied at ETH Zurich (1998 ~ 1999), HyperWerk, Basel (1999 – 2001), ECAL, Lausanne (2001 – 2004). Working collaboratively across disciplines, his work often deals...
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Fonts in use (6)
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Studio Work (7)
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