- Articles
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Articles (7)
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Quick Cuts, Coarse Letters, Multiple Screens:
An overview of the work of Cuban-born titling artist Pablo Ferro who broke ground with the titles for films like Dr. Strangelove and pioneered moving type for the screen. -
Taking Credit: Film title sequences, 1955-1965 / 1 Contents
Emily King’s contents (part two of ten) for her dissertation for the V&A/RCA M.A. Course in the History of Design. The dissertation focuses on the relationship between graphic design and film in the middle of the past century. -
Taking Credit: Film title sequences, 1955-1965 / Acknowledgements
Emily King's acknowledgements for her dissertation for the V&A/RCA M.A. Course in the History of Design. The dissertation focuses on the relationship between graphic design and film in the middle of the past century. -
Taking Credit: Film title sequences, 1955-1965 / 2 Introduction
Emily King’s introduction to her dissertation for the V&A/RCA M.A. Course in the History of Design. The dissertation focuses on the relationship between graphic design and film in the middle of the past century.
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