Calcula is an experimental display typeface inspired by the idea of exploring the grey area between typeface design and lettering.
Typeface stories · 12 June 2017 · English · 2060 words
This article highlights some major steps in the historical development of lettering tools for drafting.
Essays · 15 January 2017 · English · 2500 words
Typeface stories · 15 January 2017 · English
Overview and sample code for accessing OpenType features in CSS.
Tutorials · 19 September 2016 · English
Lettering is very different from type design, Zico is a typeface inspired by sport aesthetics that brings elements of type and lettering design into one project.
Typeface stories · 13 June 2016 · English
Uni Grotesk is a modern adaptation of the ubiquitous but awkward Universal Grotesk, a typeface that dominated communist Czechoslovakia.
Typeface stories · 7 March 2016 · English · 1550 words
by Ross Milne
Personal notes of the author on the design process and development of Echo and Charlie typefaces.
Typeface stories · 12 January 2015 · English · 1376 words
by Ondrej Jób
Ondrej Jób is describing the process of designing Woodkit, a playful fixed-width display series of typefaces inspired by wood type.
Typeface stories · 20 October 2014 · English · 1150 words
Riccardo Olocco and Jonathan Pierini’s Parmigiano is a reinterpretation of the work of Giambattista Bodoni (1740–1813) commemorating the bicentenary of his death.
Typeface stories · 7 July 2014 · English · 1116 words
by Kai Bernau
Aware that there is no such thing as total neutrality, Neutral typeface explores how the absence of stylistic associations can help the reader to engage with the content of a text.
Typeface stories · 21 March 2014 · English · 1847 words
by Aljaž Vindiš
Tribunal went through multiple iterations in a very public trial-and-error process as the custom font of the cross-platform Slovene student magazine Tribuna. Its key stylistic features were developed to meet the functional requirements of a constantly evolving publication with a limited budget.
Typeface stories · 13 December 2013 · English · 1424 words
Nel novembre del 2010 Peter Biľak è stato invitato a intervenire alla conferenza di un giorno tenutasi a Copenaghen ‘Conceptual Type - Type led by ideas’; tema del convegno, le idee che stanno alla base della progettazione dei caratteri. Questo intervento si interroga sulle possibilità dei caratteri concettuali e compara il type design ad altre discipline.
Essays · 18 November 2013 · Italian
Ellen Lupton Erik Spiekermann 1980s 1990s @font-face Åbäke Abbott Miller academic activism Adobe Adrian Frutiger advertising AGI alternate glyphs alternative culture Americana Andrej Krátky Anthon Beeke Apple April Greiman Arabic architectural architecture Arnhem art Art Chantry Art Nouveau Arts and Crafts authorship awards Bauhaus Beatrice Warde bitmap Bitstream blogs Bob Gill Bodoni book design books British design browser Bruce Mau calligraphic calligraphy Canada capitals catalogue Central European Chris Brand CNC router collection of work comics conferences corporate identity Cranbrook Academy CSS cult of the ugly cultural studies curation custom fonts Czech and Slovak Republics dance Dance Writer David Berlow David Carson David Levine David Quay David Reinfurt design criticism design heroes design history dictionary Didone digital publishing Dimitri Bruni distribution distributors Diwani documentaries Donald E. Knuth Dot Dot Dot magazine Dutch design eBooks Ed Fella editorial design education Edward Johnston Elisa Biľak embedded fonts Emigre Emily King ephemera Eric Gill Erik Nitsche Erik van Blokland exhibitions experimental Experimental Jetset Eye magazine fashion feminine Ferdinand de Saussure film titles film/video Firefox font formats font name font styles France František Štorm Fred Smeijers Freda Sack Fuse magazine geometric Georges Perec Gerard Unger Germany Gerrit Noordzij Gert Dumbar graphic design grotesque hand lettering Hans Eduard Meier hardware Harper’s Bazaar magazine headline Helvetica Herb Lubalin hinting history humour illustration India industrial interdisciplinary Irma Boom ISO Italy Ivan Chermayeff Jacques Derrida James McMullan Jan Solpera Jan Tschichold Jan van Krimpen Jan van Toorn Jean Baudrillard Jessica Helfand Joep Pohlen Johanna Biľak John Berger John Maeda Jon Wozencroft Jonathan Barnbrook Jonathan Hoefler Jürg Lehni Just van Rossum KABK Kai Bernau Karel Martens Karel Teige Katherine McCoy Kristyan Sarkis Kufic Ladislav Sutnar language László Moholy-Nagy layers lecture legibility Letterror Lewis Blackwell ligatures Lorraine Wild low-contrast magazines Mark Thomson Marshall Arisman Martin Majoor Massimo Vignelli Matthew Carter Max Kisman METAFONT Mevis & Van Deursen Michael Bierut Michael Rock Michel Foucault microtypography Milton Glaser modernism multi-purpose multilingual multimedia multiscript Muriel Cooper music Naomi Klein Naskhi Netherlands neutral Neville Brody new media newspaper non-Latin Oldřich Menhart on-screen reading Ondrej Jób Ootje Oxenaar OpenType Otto Bettmann Otto Treumann Pablo Ferro packaging parametric Paul Rand Paula Scher Persian Peter Biľak Peter Verheul Petr van Blokland philosophy phonetic photography Pierre di Sciullo Pierre Simon Fournier Piet Zwart pixels politics posters PostScript Print magazine programming publishing René Knip research revivals Rian Hughes Richard Hollis Rick Poynor Robert Crumb Robert Estienne Robin Kinross Roger Black Roland Barthes role of designer Ross Milne Roxane Jubert Rudy VanderLans sans-serif serif Seymour Chwast Sheila de Bretteville signage sketchbook slab serif society software standards Stanley Morison Steven Heller Stuart Bailey Sumner Stone Switzerland technology The Face magazine The Hague theory Thomas Huot-Marchand Tibor Kalman Tobias Frere-Jones TrueType TrueType GX type design type specimens type systems typography USA Victor Moscoso vocalisation W3C Walter Benjamin webfonts Willem Sandberg Wim Crouwel Windows WOFF wood type Zuzana Ličko