Peter Biľak speaks to Irma Boom about how her design practice developed over the past decade.
Interviews · 23 July 2012 · English · 2942 words
by Jon Glarbo
Interview with the Dutch designer René Knip, specialising in three-dimensional typography and lettering. From the book 158 answers.
Interviews · 9 May 2011 · English · 2361 words
Dimitri Bruni of NORM talks to Jürg Lehni about designing with systematic procedures and limitations, the influence of tools and their projects Replica and Sign Generator.
Interviews · 14 April 2011 · English · 1691 words
Jürg Lehni interviews Erik Spiekermann about the legal definition of typefaces, web font distribution models and parametric fonts.
Interviews · 14 April 2011 · English · 1322 words
Jürg Lehni and Peter Biľak in a conversation about the role of technology in type design, font formats and production tools, and Donald E. Knuth’s Metafont.
Interviews · 14 April 2011 · English · 1544 words
by Mark Thomson
Peter Biľak speaks with Mark Thomson about his beginnings, running a type foundry, magazines, print media in general, modern dance and typography. This interview appeared in Eye magazine No.75, Spring 2010 in the Reputations series.
Interviews · 27 September 2010 · English · 3447 words
Peter Biľak, grafico e type designer slovacco attivo a L’Aia, con la sua fonderia digitale Typotheque e la rivista Dot Dot Dot si è fatto conoscere come voce originale e indipendente nel campo della tipografia e della riflessione critica sul design. Due anni fa ha iniziato una collaborazione con il Nederlands Dans Theater e il coreografo Lukáš Timulak, con il quale progetta e mette in scena performance di danza contemporanea. Lo abbiamo intervistato a Milano, nel cortile della nuova sede Aiap, il 30 maggio di quest’anno, il giorno dopo la sua conferenza all’Istituto Europeo di Design.
Interviews · 20 December 2006 · Italian · 3944 words
Interview conducted by Luciano Perondi and Silvia Sfligiotti discussing issues of translation, languages, teaching, writing, organizing exhibitions, and having no answer to question about parallels between design and science.
Interviews · 20 December 2006 · English · 4209 words
Rudy VanderLans talks with Peter Biľak about the Typotheque founder’s education, design practice and experience as an ex-pat Slovak living in the Netherlands. Dot Dot Dot is discussed, as well as the typefaces Biľak has produced and his current teaching practice.
Interviews · 13 April 2005 · English · 4079 words
A mid-1990s discussion of the state of type design, graphic design in the Netherlands and emerging digital media.
Interviews · 29 November 2004 · English · 1641 words
A discussion from the late 1990s with Erik van Blokland and Just van Rossum about their work as type designers and programmers.
Interviews · 29 November 2004 · English · 2326 words
The prolific founder of Werkplaats Typografie, Karel Martens focuses on the design of the Dutch architectural magazine OASE in his 1999 conversation with Peter Biľak.
Interviews · 29 November 2004 · English · 1412 words
Ellen Lupton Erik Spiekermann 1980s 1990s @font-face Åbäke Abbott Miller academic activism Adobe Adrian Frutiger advertising AGI alternate glyphs alternative culture Americana Amsterdam Andrej Krátky Anthon Beeke Apple April Greiman Arabic architectural architecture Arnhem art Art Chantry Art Nouveau Arts and Crafts authorship awards Bauhaus Beatrice Warde bitmap Bitstream blogs Bob Gill Bodoni book design books British design browser Bruce Mau calligraphic calligraphy Canada capitals catalogue Central European Chris Brand CNC router collection of work comics conferences corporate identity Cranbrook Academy CSS cult of the ugly cultural studies curation custom fonts Czech and Slovak Republics dance Dance Writer David Berlow David Carson David Levine David Quay David Reinfurt decorative design criticism design heroes design history Devanagari dictionary Didone digital publishing Dimitri Bruni distribution distributors Diwani documentaries Donald E. Knuth Dot Dot Dot magazine Dutch design eBooks Ed Fella editorial design education Edward Johnston Elisa Biľak embedded fonts Emigre Emily King ephemera Eric Gill Erik Nitsche Erik van Blokland exhibitions experimental Experimental Jetset Eye magazine fashion feminine Ferdinand de Saussure film titles film/video Firefox font formats font name font styles France František Štorm Fred Smeijers Freda Sack Fuse magazine geometric Georges Perec Gerard Unger Germany Gerrit Noordzij Gert Dumbar graphic design grotesque hand lettering Hans Eduard Meier Hansje van Halem hardware Harper’s Bazaar magazine headline Hebrew Helvetica Herb Lubalin hinting history humanist humour illustration India industrial interdisciplinary Inuktitut Irma Boom ISO Italy Ivan Chermayeff Jacques Derrida James McMullan Jan Solpera Jan Tschichold Jan van Krimpen Jan van Toorn Jean Baudrillard Jessica Helfand Joep Pohlen Johanna Biľak John Berger John Maeda Jon Wozencroft Jonathan Barnbrook Jonathan Hoefler Jürg Lehni Just van Rossum KABK Kai Bernau Karel Martens Karel Teige Katherine McCoy Kristyan Sarkis Kufic Ladislav Sutnar language László Moholy-Nagy layers lecture legibility Letterror Lewis Blackwell ligatures Lorraine Wild low-contrast magazines Mark Thomson Marshall Arisman Martin Majoor Massimo Vignelli Matthew Carter Max Kisman METAFONT Mevis & Van Deursen Michael Bierut Michael Rock Michal Sahar Michel Foucault microtypography Milton Glaser modernism modular multi-purpose multilingual multimedia multiscript Muriel Cooper music Naomi Klein Naskhi Netherlands neutral Neville Brody new media newspaper non-Latin Nunavik Oldřich Menhart on-screen reading Ondrej Jób Ootje Oxenaar OpenType Otto Bettmann Otto Treumann Pablo Ferro packaging parametric pattern Paul Rand Paul Renner Paula Scher Persian Peter Biľak Peter Verheul Petr van Blokland philosophy phonetic photography Pierre di Sciullo Pierre Simon Fournier Piet Zwart pixels politics posters PostScript Print magazine programming publishing René Knip research revivals Rian Hughes Richard Hollis Rick Poynor Robert Crumb Robert Estienne Robin Kinross Roger Black Roland Barthes role of designer Ross Milne Roxane Jubert Rudy VanderLans sans-serif serif Seymour Chwast Sheila de Bretteville signage sketchbook slab serif society software standards Stanley Morison Steven Heller Stuart Bailey Sumner Stone Switzerland Syllabics Tamil technology The Face magazine The Hague theory Thomas Huot-Marchand Tibor Kalman Tobias Frere-Jones transliteration TrueType TrueType GX type as object type design type specimens type systems typography USA variable fonts Victor Moscoso vocalisation W3C Walter Benjamin web-safe webfonts websites Willem Sandberg Wim Crouwel Windows WOFF wood type Zuzana Ličko