by Peter Biľak
Peter Biľak speaks to Irma Boom about how her design practice developed over the past decade.
Interviews · 23 July 2012 ·
English · 2942 words
by Jon Glarbo
Interview with the Dutch designer René Knip, specialising in three-dimensional typography and lettering. Part of the book 158 answers.
Interviews · 9 May 2011 ·
English · 2361 words
by Jürg Lehni
Dimitri Bruni of NORM talks to Jürg Lehni about designing with systematic procedures and limitations, the influence of tools and their projects Replica and Sign Generator.
Interviews · 14 April 2011 ·
English · 1691 words
by Jürg Lehni
Jürg Lehni interviews Erik Spiekermann about the legal definition of typefaces, web font distribution models and parametric fonts.
Interviews · 14 April 2011 ·
English · 1322 words
by Jürg Lehni
Jürg Lehni and Peter Biľak in a conversation about the role of technology in type design, font formats and production tools, and Donald E. Knuth’s Metafont.
Interviews · 14 April 2011 ·
English · 1544 words
by Mark Thomson
Peter Biľak speaks with Mark Thomson about his beginnings, running a type foundry, magazines, print media in general, modern dance and typography. This interview appeared in Eye magazine No.75, Spring 2010 in the Reputations series.
Interviews · 27 September 2010 ·
English · 3447 words
Peter Biľak, grafico e type designer slovacco attivo a L’Aia, con la sua fonderia digitale Typotheque e la rivista Dot Dot Dot si è fatto conoscere come voce originale e indipendente nel campo della tipografia e della riflessione critica sul design.
Due anni fa ha iniziato una collaborazione con il Nederlands Dans Theater e il coreografo Lukáš Timulak, con il quale progetta e mette in scena performance di danza contemporanea. Lo abbiamo intervistato a Milano, nel cortile della nuova sede Aiap, il 30 maggio di quest’anno, il giorno dopo la sua conferenza all’Istituto Europeo di Design.
Interviews · 20 December 2006 ·
Italian · 3944 words
Interview conducted by Luciano Perondi and Silvia Sfligiotti discussing issues of translation, languages, teaching, writing, organizing exhibitions, and having no answer to question about parallels between design and science.
Interviews · 20 December 2006 ·
English · 4209 words
Rudy VanderLans talks with Peter Biľak about the Typotheque founder’s education, design practice and experience as an ex-pat Slovak living in the Netherlands. Dot Dot Dot is discussed, as well as the typefaces Biľak has produced and his current teaching practice.
Interviews · 13 April 2005 ·
English · 4079 words
by Peter Biľak
A mid-1990s discussion of the state of type design, graphic design in the Netherlands and emerging digital media.
Interviews · 29 November 2004 ·
English · 1641 words
by Peter Biľak
A discussion from the late 1990s with Erik van Blokland and Just van Rossum about their work as type designers designing programmers.
Just van Rossum,(1966) Erik van Blokland (1967), are known for their work that they done separately together under the name Letterror. They are both graduates from the Royal Academy of Art in The Hague. After a short work for companies abroad (MetaDesign, FontBureau) they started to work freelanced in The Hague. In 1990 they have introduced “random fonts”, computer programmed outlines that print differently in each impression. They have designed over 50 fonts for FontShop and FUSE. In their typographic work they extensively use programming.
Just van Rossum,(1966) Erik van Blokland (1967), are known for their work that they done separately together under the name Letterror. They are both graduates from the Royal Academy of Art in The Hague. After a short work for companies abroad (MetaDesign, FontBureau) they started to work freelanced in The Hague. In 1990 they have introduced “random fonts”, computer programmed outlines that print differently in each impression. They have designed over 50 fonts for FontShop and FUSE. In their typographic work they extensively use programming.
Interviews · 29 November 2004 ·
English · 2326 words
by Peter Biľak
The prolific founder of Werkplaats Typografie, Karel Martens focuses on the design of the Dutch architectural magazine OASE in his 1999 conversation with Peter Biľak.
Interviews · 29 November 2004 ·
English · 1412 words
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