by Peter Biľak
In the world driven by utility and performance, is there a room for open-ended typographic play system, that allows to discover something that was not entirely planned, something that the system hoped to allow, but could not guarantee?
Typeface stories · 22 June 2020 ·
English · 1112 words
by Peter Biľak
It is not very often that I come across type that is so unusual, so strikingly different that I can’t place it. Hansje van Halem’s Wind is one of those rare examples, so I asked her if we could publish it
Typeface stories · 8 December 2017 ·
English
Calcula is an experimental display typeface inspired by the idea of exploring the grey area between typeface design and lettering.
Typeface stories · 12 June 2017 ·
English · 2060 words
This article describes the process of designing Thesaurus typeface, based on the types that Robert Estienne brought from Paris to Geneva, and in some way, serve as a bridge between France and Switzerland, between Catholicism and Protestantism, and now, through Thesaurus, between past and present.
Typeface stories · 15 January 2017 ·
English
Lettering is very different from type design, Zico is a typeface inspired by sport aesthetics that brings elements of type and lettering design into one project.
Typeface stories · 13 June 2016 ·
English
by Peter Biľak
Uni Grotesk is a modern adaptation of the ubiquitous but awkward Universal Grotesk, a typeface that dominated communist Czechoslovakia.
Typeface stories · 7 March 2016 ·
English · 1550 words
by Ross Milne
Personal notes of the author on the design process and development of Echo and Charlie typefaces.
Typeface stories · 12 January 2015 ·
English · 1376 words
by Ondrej Jób
Ondrej Jób is describing the process of designing Woodkit, a playful fixed-width display series of typefaces inspired by wood type.
Typeface stories · 20 October 2014 ·
English · 1150 words
Riccardo Olocco and Jonathan Pierini’s Parmigiano is a reinterpretation of the work of Giambattista Bodoni (1740–1813) commemorating the bicentenary of his death.
Typeface stories · 7 July 2014 ·
English · 1116 words
by Kai Bernau
Aware that there is no such thing as total neutrality, Neutral typeface explores how the absence of stylistic associations can help the reader to engage with the content of a text.
Typeface stories · 21 March 2014 ·
English · 1847 words
by Aljaž Vindiš
Tribunal went through multiple iterations in a very public trial-and-error process as the custom font of the cross-platform Slovene student magazine Tribuna. Its key stylistic features were developed to meet the functional requirements of a constantly evolving publication with a limited budget.
Typeface stories · 13 December 2013 ·
English · 1424 words
Our daily lives are full of noise, but when we immerse ourselves in reading, it seems to disappear. But what if the shapes of the words we read also contain perceptible noise? Does it disrupt the reading process, or do we learn to filter it out?
Typeface stories · 25 September 2013 ·
English · 1592 words
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