Greta Sans Compressed

Hairline Italic
Thin Italic
ExtraLight Italic
Light Italic
Regular Italic
Medium Italic
SemiBold Italic
Bold Italic
Heavy Italic
ChodnikowiecClick to Edit
Hairline 100px
HírösszefoglalásClick to Edit
Hairline Italic 100px
OverskriftClick to Edit
Thin 100px
NagłówekClick to Edit
Thin Italic 100px
TitulekClick to Edit
ExtraLight 100px
EncabezamientoClick to Edit
ExtraLight Italic 100px
VeerutiitelClick to Edit
Light 100px
ÚjságcímClick to Edit
Light Italic 100px
NadpisClick to Edit
Regular 100px
FyrirsögnClick to Edit
Regular Italic 100px
TitreClick to Edit
Medium 100px
TitoloClick to Edit
Medium Italic 100px
OtsikkoClick to Edit
SemiBold 100px
UntertitelClick to Edit
SemiBold Italic 100px
BezeichnungClick to Edit
Bold 100px
PrüfungsanweisungenClick to Edit
Bold Italic 100px
HeadlineClick to Edit
Heavy 100px
RubrikClick to Edit
Heavy Italic 100px
In my decade of experience teaching at Type & Media I have seen many students enter the course with no previous experience in type design. Over the eight months of the course they learn the structure of letterforms and the principles of construction that allow them to create well-designed typefaces, (not always terribly original, but convincing executions without obvious mistakes). Having mastered the formal execution of type, they can then move on to think about how to apply their skills. Obviously, creating type that is too closely related to existing models doesn’t justify the effort involved. Or as my Type & Media colleague Erik van Blokland says: “If an existing typeface does the job, there is no reason to make a new one.”Click to Edit
Regular 0px