Gradient Bottom Inside
Gradient Bottom Left
Gradient Bottom Right
Gradient Bottom Outside
Gradient Top Inside
Gradient Top Left
Gradient Top Right
Gradient Top Outside
PrüfungsanweisungenClick to Edit
Regular 100px
ÜberschriftClick to Edit
Black 100px
ÚjságcímClick to Edit
Gradient Bottom Inside 100px
TitreClick to Edit
Gradient Bottom Left 100px
HeadlineClick to Edit
Gradient Bottom Right 100px
ChodnikowiecClick to Edit
Gradient Bottom Outside 100px
TitulekClick to Edit
Gradient Top Inside 100px
UntertitelClick to Edit
Gradient Top Left 100px
OverskriftClick to Edit
Gradient Top Right 100px
HírösszefoglalásClick to Edit
Gradient Top Outside 100px
In spite of all the attention to type and the unprecedented conditions for type designers, the vast majority of new fonts desperately lack originality. Just as in the music industry, where cover versions and remixes are often more popular than new music, font designers seemingly prefer to exploit successful models from the past rather than strive for new solutions. Scant decades ago, new typefaces underwent a rigorous review procedure to ensure that they met the publisher’s artistic and technical criteria. Today, self-publishing has eliminated such processes, and there is little critical review, little effort to add something new to the evolution of the profession. Mediocrity abounds as quality control dwindles. Dozens of blogs (as well as the print media) simply republish press releases without distinguishing between marketing and independent reviews, praising uninspired fonts and institutionalising the average. Many design awards do the same, perpetuating a false idea of what constitutes superior quality. We don’t need new fonts like this.Click to Edit
Regular 0px
Complete 10 fonts 192.00 EUR

19.20 EUR/font