Mississippi

About

Mississippi is both a high- and low-brow typeface, taking cues from America’s fashion typography as well as from its underbelly of cheap ephemera. Part of the set is also a collection of eight smart fonts with contextual alternates that dynamically change height during typing.

PDF Specimen
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Mississippi Family Overview
  • Regular
    Regular
  • Bottom Inside
    Bottom Inside
  • Bottom Left
    Bottom Left
  • Bottom Right
    Bottom Right
  • Bottom Outside
    Bottom Outside
  • Top Inside
    Top Inside
  • Top Left
    Top Left
  • Top Right
    Top Right
  • Top Outside
    Top Outside
  • Black
    Black
RegularBuy
Amsterdam
Bottom InsideBuy
Bengaluru
Bottom LeftBuy
Copenhagen
Bottom RightBuy
Damascus
Bottom OutsideBuy
Edinburgh
Top InsideBuy
Fortaleza
Top LeftBuy
Guangzhou
Top RightBuy
Hong Kong
Top OutsideBuy
Istanbul
BlackBuy
Jerusalem
Bottom InsideBuy
In its most general sense, the term ‘world' refers to the totality of entities, to the whole of reality or to everything that is. The nature of the world has been conceptualized differently in different fields. Some conceptions see the world as unique while others talk of a 'plurality of worlds'. Some treat the world as one simple object while others analyze the world as a complex made up of many parts. In scientific cosmology the world or universe is commonly defined as 'the totality of all space and time; all that is, has been, and will be'. Theories of modality, on the other hand, talk of possible worlds as complete and consistent ways how things could have been. Phenomenology, starting from the horizon of co-given objects present in the periphery of every experience, defines the world as the biggest horizon or the 'horizon of all horizons'. In philosophy of mind, the world is commonly contrasted with the mind as that which is represented by the mind. Theology conceptualizes the world in relation to God, for example, as God’s creation, as identical to God or as the two being interdependent. In religions, there is often a tendency to downgrade the material or sensory world in favor of a spiritual world to be sought through religious practice. A comprehensive representation of the world and our place in it, as is commonly found in religions, is known as a worldview. Cosmogony is the field that studies the origin or creation of the world while eschatology refers to the science or doctrine of the last things or of the end of the world.
RegularBuy
In its most general sense, the term ‘world' refers to the totality of entities, to the whole of reality or to everything that is. The nature of the world has been conceptualized differently in different fields. Some conceptions see the world as unique while others talk of a 'plurality of worlds'. Some treat the world as one simple object while others analyze the world as a complex made up of many parts. In scientific cosmology the world or universe is commonly defined as 'the totality of all space and time; all that is, has been, and will be'. Theories of modality, on the other hand, talk of possible worlds as complete and consistent ways how things could have been. Phenomenology, starting from the horizon of co-given objects present in the periphery of every experience, defines the world as the biggest horizon or the 'horizon of all horizons'. In philosophy of mind, the world is commonly contrasted with the mind as that which is represented by the mind. Theology conceptualizes the world in relation to God, for example, as God’s creation, as identical to God or as the two being interdependent. In religions, there is often a tendency to downgrade the material or sensory world in favor of a spiritual world to be sought through religious practice. A comprehensive representation of the world and our place in it, as is commonly found in religions, is known as a worldview. Cosmogony is the field that studies the origin or creation of the world while eschatology refers to the science or doctrine of the last things or of the end of the world.

Design Concept

Mississippi is inspired by the aesthetics of mid-20th-century America with its blues music, endless highways and bold advertising. Mississippi is both a high- and low-brow typeface, taking cues from America’s sophisticated fashion typography as well as from its underbelly of cheap ephemera. Mississippi is also distinctively musical, drawing on the fiery, passionate Delta blues, and giving unexpected movement to traditional typography. Mississippi works best in strong headlines, striking logos, and longer words.

Mississippi, Design Concept

Variable Height

Mississippi explores text patterns and gradients, by dynamically increasing or decreasing letter heights to control the rhythm of words and short texts. This is executed with the use of OpenType substitutions, where each glyph in Mississippi contains nine different versions, and the Contextual alternates feature applies the effect depending on the preselected style.

Mississippi, Variable Height

  • Released2019

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