October is a geometric signage font with a soft corner terminal and friendly character suitable for complex signage and information display, as well as for packaging and branding projects. October’s round letter terminals were created by the rotary cutters of a CNC router. Changing the size of the cutters changed the stroke widths of the letterforms. The results were optically corrected to create a functional digital font family that works at a variety of medium to large text sizes.
October is available in three logical widths, which offer complete typographic palette for the most demanding designers. The Condensed and Compressed versions solve setting long words and sentences next to short words set in the regular width version of November.
Symbols & Arrows
November is ideally suited for the information signage and wayfinding projects, and includes a collection of transportation and travel-related signs, symbols, icons, and various sets of arrows.
When the job takes you around the globe, October is ready to go with you. Supporting not only Latin script, but also Cyrillic, Greek, Hebrew, Arabic, Armenian, Georgian, Devanagari, and Tamil. October is a font with a global language support ready to get down to business in over 200 languages. Further writing scripts are in development.
Like all Typotheque fonts, October includes Small Caps in all styles. Additionally, October includes a wealth of other advanced OpenType features. For more information please see the PDF instructions, or the Features section.
Besides the standard lower case a and g all versions include also its alternative versions. Alternate version of the numeral 3 is also available.
All weights of October include ten different kinds of numerals. Proportional Lining figures come as default figures in November. It also, however, includes Old-style figures, Tabular numerals (both lining and OsF), Small Caps numerals, superior, inferior, circled and circled inverted numerals (selectable via OpenType features).
Latin and Greek version designed by Peter Biľak and released in 2016. Nikola Djurek assisted with the production of the fonts. Irina Smirnova designed the Cyrillic version. Kristyan Sarkis designed the Arabic, Peter Biľak with Daniel Grumer the Hebrew, Arya Purohit the Devanagari and Tamil versions, Akaki Razmadze the Georgian, the Armenian designed by Biľak with consulation by Gor Jihanian and Khajag Apelian.