... diseño de tipos. Se examina Eureka, su diseño anterior, y las recientes familias de fedra.
Essays · 11 May 2005 · Spanish · 1145 words
... ‘synthetic’ approach to type design which examines both his earlier Eureka and more recent fedra families.
Typeface stories · 1 December 2004 · English · 838 words
Type design as accumulated knowledge and continuity: a look at the role of type designers, history and technology, revivals and invention.
Essays · 1 December 2004 · English · 774 words
Traditionally, Hebrew printed typography doesn't have a notion of ‘italic’, a concept linked with the evolution of the Latin alphabet. Hebrew, however, when...
Essays · 11 October 2017 · English · 1075 words
An article on the process of designing typefaces for the language other than your own — challenges of looking at unfamiliar patterns, letters, and their cultu...
Essays · 5 October 2017 · English · 1920 words
Overview and sample code for accessing OpenType features in CSS.
Tutorials · 19 September 2016 · English
Uni Grotesk is a modern adaptation of the ubiquitous but awkward Universal Grotesk, a typeface that dominated communist Czechoslovakia.
Typeface stories · 7 March 2016 · English · 1550 words
Nel novembre del 2010 Peter Biľak è stato invitato a intervenire alla conferenza di un giorno tenutasi a Copenaghen ‘Conceptual Type - Type led by ideas’;...
Essays · 18 November 2013 · Italian
Greta Sans was been planned from the outset as a system of interrelated styles. From the very beginning, work proceeded on multiple styles simultaneously. This...
Typeface stories · 25 April 2012 · English · 1709 words
In November 2010 Peter Biľak was invited to give a talk at a one-day conference ‘Conceptual Type – Type led by ideas’ in Copenhagen about the underlyin...
Essays · 24 February 2011 · English · 1738 words
Peter Biľak speaks with Mark Thomson about his beginnings, running a type foundry, magazines, print media in general, modern dance and typography. This intervi...
Interviews · 27 September 2010 · English · 3447 words
Hinting, or screen optimising, is the process by which TrueType or PostScript fonts are adjusted for maximum readability on computer monitors. This text compare...
Tutorials · 17 May 2010 · English · 1920 words
This article is intended for an audience of contemporary designers and students who are at least one step removed from mid-century British typographic culture;...
Typeface stories · 11 March 2007 · English · 2703 words
Dieser Artikel basiert zum Teil auf meiner Forschung für die Ausstellung über das tschechische und slowakische Schriftdesign mit Schwerpunkt auf der Entwicklu...
Essays · 28 November 2006 · German · 3875 words
This article is partly based on the research for the exhibition on Czech and Slovak typeface design that we co-curated with Alan Záruba in 2004-2006 focusing o...
Essays · 3 October 2006 · English · 3891 words
L'Art Director di Collins descrive il procedimento seguito per il progetto di una nuova serie di dizionari, dal punto di vista storico, del layout e della scelt...
Essays · 18 July 2006 · Italian · 3700 words
The art director of Collins describes the process of designing the new set of dictionaries, their history, layout and choice of type. Due to the scale at which...
Essays · 28 April 2005 · English · 4514 words
Rudy VanderLans talks with Peter Biľak about the Typotheque founder’s education, design practice and experience as an ex-pat Slovak living in the Netherlands...
Interviews · 13 April 2005 · English · 4079 words
Dan Reynolds reviews a travelling exhibit of Czech and Slovak type design from the past two decades, and compares this exhibit to the Fresh Fonts exhibit of Swi...
Reviews · 29 November 2004 · English · 2013 words