Fonts
Articles
Taking Credit: Film title sequences, 1955-1965 / 8 Popcorn and Pop graphics, What’s New Pussycat?, 1965
Essays by Emily KingPart eight of ten of Emily King’s dissertation for the V&A/RCA M.A. Course in the History of Design. The dissertation focuses on the relationship between graphic design and film in the middle of the past century.New Faces (Chapter Four: London)
Essays by Emily KingThe fourth chapter of Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997.New Faces (Bibliography)
Essays by Emily KingThe bibliography of Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997.Taking Credit: Film title sequences, 1955-1965 / 10 Bibliography
Essays by Emily KingThe bibliography for Emily King’s dissertation for the V&A/RCA M.A. Course in the History of Design. The dissertation focuses on the relationship between graphic design and film in the middle of the past century.- Modern handwriting: IntroductionPart 2
New Approaches in Great Britain
Essays by Sébastien MorlighemThis second part offers an overview of new approaches developed in Great Britain during the 20th century, inspired by writing history or modern pragmatism. Battle of the Blogs
Essays by Dmitri SiegelBlogs, design criticism and the AIGA Vancouver conference discussion about the premacy of corporate vs. editorial design...
Blog
William, a Contemporary Interpretation of Caslon Types
New fontsWilliam, a contemporary interpretation of Caslon, is a truly international font in which English, Dutch and Russian influences come together to create one complete, modern type family.William finally supports Greek and Cyrillic
UpdatesFonts in useA typeface that started a decade ago with a Cyrillic design finally gets its official Cyrillic version.Typotheque Fonts Now Support Klingon
AnnouncementsTo meet the growing demand for for global communication, Typotheque has taken another step towards true internationalisation by extending all its fonts to support Klingon.
Authors
- is partner with William Drenttel in a design consultancy in Northwest Connecticut (USA) named Winterhouse Studio. They concentrate on editorial design and new media, as well as publishing under their imprint, Winterhouse Editions with University of Chicago Press and Princeton Architectural Press. Helfand is the author of Six (+2) Essays on Design and New Media; Paul Rand: American Modernist; Screen: Essays on Graphic Design, New Media, and Visual Culture; and Reinventing the Wheel. She is a Senior Critic in graphic design at Yale University School of Art, and the co-editor of Design Observer.