Ondrej Jób is describing the process of designing Woodkit, a playful fixed-width display series of typefaces inspired by wood type.
Typeface stories · 20 October 2014 · English · 1150 words
Riccardo Olocco and Jonathan Pierini’s Parmigiano is a reinterpretation of the work of Giambattista Bodoni (1740–1813) commemorating the bicentenary of his death.
Typeface stories · 7 July 2014 · English · 1116 words
Aware that there is no such thing as total neutrality, Neutral typeface explores how the absence of stylistic associations can help the reader to engage with the content of a text.
Typeface stories · 21 March 2014 · English · 1847 words
Tribunal went through multiple iterations in a very public trial-and-error process as the custom font of the cross-platform Slovene student magazine Tribuna. Its key stylistic features were developed to meet the functional requirements of a constantly evolving publication with a limited budget.
Typeface stories · 13 December 2013 · English · 1424 words
Nel novembre del 2010 Peter Biľak è stato invitato a intervenire alla conferenza di un giorno tenutasi a Copenaghen ‘Conceptual Type - Type led by ideas’; tema del convegno, le idee che stanno alla base della progettazione dei caratteri. Questo intervento si interroga sulle possibilità dei caratteri concettuali e compara il type design ad altre discipline.
Essays · 18 November 2013 · Italian
Our daily lives are full of noise, but when we immerse ourselves in reading, it seems to disappear. But what if the shapes of the words we read also contain perceptible noise? Does it disrupt the reading process, or do we learn to filter it out?
Typeface stories · 25 September 2013 · English · 1592 words
Lava was design to bridge the digital and print editions of a newly designed magazine.
Typeface stories · 5 September 2013 · English · 689 words
Supernova is a new family that combines the spontaneity of a script typeface with the versatility of multiple weights and cuts.
Typeface stories · 21 February 2013 · English · 1441 words
Article on the process of designing Karloff typeface, showing just how closely related beauty and ugliness are.
Typeface stories · 25 September 2012 · English · 957 words
Peter Biľak speaks to Irma Boom about how her design practice developed over the past decade.
Interviews · 23 July 2012 · English · 2942 words
Este articulo discute los métodos de distribución convencionales de la tipografía digital y sus alternativas. Fue escrito originalmente para el Centre National des Arts Plastiques y esta enfocado al ámbito de la tipografía en Francia.
Essays · 23 May 2012 · Spanish · 1725 words
En este breve ensayo se evalúan las percepciones equivocadas acerca de la tipografía occidental en general y la pertinencia del uso de la terminología eurocéntrica en torno a los tipos.
Essays · 23 May 2012 · Spanish · 1012 words

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