Supernova is a new family that combines the spontaneity of a script typeface with the versatility of multiple weights and cuts.
Typeface stories · 21 February 2013 · English · 1441 words
Article on the process of designing Karloff typeface, showing just how closely related beauty and ugliness are.
Typeface stories · 25 September 2012 · English · 957 words
Documentation and research that lead to design of Arabic newspaper typeface
Typeface stories · 21 March 2012 · English · 1436 words
Greta Sans was been planned from the outset as a system of interrelated styles. From the very beginning, work proceeded on multiple styles simultaneously. This text is a reflection on the process of designing large typeface systems.
Typeface stories · 25 April 2012 · English · 1709 words
Julien is a playful geometric display typeface loosely inspired by the early 20th century avant-garde. It is based on elementary shapes and includes multiple variants of each letter.
Typeface stories · 12 November 2011 · English · 630 words
The Nara typeface was completed more than 20 years after the initial design. This is the story of the search for gaps in type classification.
Typeface stories · 14 September 2011 · English · 1665 words
This article presents the Diwani style of Arabic which lead to designing Thuraya, a contemporary yet faithful interpretation of the Diwani style with extensive calligraphic features.
Typeface stories · 9 May 2011 · English · 2033 words
This article was written to coincide with the launch of the new Typotheque website and the release of Charlie, a slab serif typeface designed by Ross Milne. An in-depth record of the design process is documented below, including some personal notes on the design process and its historical roots in the slab serif traditions of the nineteenth century.
Typeface stories · 25 September 2010 · English · 1347 words
Two years after releasing History, Peter Bilak reflects on the process of creating this skeletal system in which different styles are imposed on a Roman capital base. Previous experiments are mentioned, as well as inspiration sources for the typeface.
Typeface stories · 9 March 2010 · English · 1792 words
This article is intended for an audience of contemporary designers and students who are at least one step removed from mid-century British typographic culture; it is a critique of the Gill Sans typeface and the idiosyncrasies of its creation from a contemporary perspective. The central argument is that an earlier typeface by Eric Gill’s mentor, Edward Johnston, is a superior piece of type design.
Typeface stories · 11 March 2007 · English · 2703 words
Andy Crewdson discusses the origins of the Dutch designer’s recent family of types.
Typeface stories · 24 February 2005 · English · 1573 words
A brief look at Peter Bilak’s ‘synthetic’ approach to type design which examines both his earlier Eureka and more recent Fedra families.
Typeface stories · 1 December 2004 · English · 838 words

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