The fourth chapter of Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997.

The fifth chapter of Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997.

Dan Reynolds reviews a travelling exhibit of Czech and Slovak type design from the past two decades, and compares this exhibit to the Fresh Fonts exhibit of Swiss design shown in Zurich until July 2004.

A review of a new comic strip novel by an ‘underground comix master’, full of complex plot lines and psychologies, stories about and parodies of the underbelly of the cartoon business, all drwan exquisitely.

A collection of Robert Crumb’s lesser known work spanning three decades gives credence to Steven Heller's claim that Crumb is the god of comics. Heller also gives a bit of background to the New York/US counterculture that Crumb fed with his racy work.