More than 35 years after the seminal art book Ways of Seeing was published, Peter Biľak looks closely at its continuing relevance.

Emily King briefly looks at visual artists use of type, and their collaboration with designers in their work.

Screens of all sorts, their histories and their metaphors are approached in this theoretical discussion which take on the panopticon, Clinton’s inauguration and the largest movie screen in the world.

Walter Benjamin’s ideas are explored (amongst other early 20th century avant-garde artists) in relation to the recent discussions around expanding the designer’s role from that of problem solver to one of author—and producer.

An exploded view of the digital screen, informed by analyses of architecture, designers’ roles, avant-garde Dutch design from the De Stijl period and geometry.

ACP Donor Wheel, Interactive donor recognition sculpture for the Paul Robeson Center for the Arts in Princeton, NJ. Four weights of Jigsaw Stencil in both roman and cursive are laser-cut in stainless steel and backlit with LEDs.

Dutch graphic designer Hansje van Halem (1978) graduated from the Gerrit Rietveld Academy and started her own studio in Amsterdam in 2003. She creates...

Jürg Lehni, born 1978, Lucerne, lives and works in London and Switzerland. He studied at ETH Zurich (1998 ~ 1999), HyperWerk, Basel (1999 –...

Catherine Zask (1961) is a French graphic artist and designer. She graduated from the ESAG (Paris) in 1984. Started her career in 1985 as an independe...

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Born York, UK, 1973. Studied graphic design, Reading, UK, 1991-95. Part of the first group of participants at the Werkplaats Typografie, Arnhem, NL...