Peter Biľak speaks to Irma Boom about how her design practice developed over the past decade.

Third in the heavily subsidised series ‘Graphic design in the Netherlands’, Jan van Toorn, Critical Practice takes on the difficult task of exploring and striving to elucidate the work of Jan van Toorn (JvT), a designer who is not always clear about his intentions, who makes frequent use of inexplicable images and text, and whose work is often described with concepts such as ‘alienation’, ‘incomprehensibility’, ‘defamiliarisation’, ‘digressions’ and ‘intrusion’.

L'Art Director di Collins descrive il procedimento seguito per il progetto di una nuova serie di dizionari, dal punto di vista storico, del layout e della scelta dei caratteri. Data la scala alla quale il contenuto del dizionario viene espresso, e il modo particolare in cui viene letto, le decisioni microtipografiche hanno un effetto amplificato.

Graphic designer Willem Sandberg became the director of Amsterdam’s Stedelijk Museum in 1945. From that time until 1962 he designed almost all the printed matter for the Stedelijk and transformed the museum, introducing new ideas into the stuffy world of museums of that time.

The art director of Collins describes the process of designing the new set of dictionaries, their history, layout and choice of type. Due to the scale at which a dictionary’s content is expressed and the particular way in which the content is read, microtypographic decisions have an unusually large effect.

Neutral, designed almost a decade ago, is now finally out. It takes inspiration from typefaces that seem ageless, remaining fresh and relevant even decades after they were designed.

When I started working with type some twenty years ago I imagined a couple of dream applications for my future typefaces. I had no idea about font production, but I was already fantasising about the possible results of what was then my evening hobby.

Dutch graphic designer Hansje van Halem (1978) graduated from the Gerrit Rietveld Academy and started her own studio in Amsterdam in 2003. She creates...

Kai Bernau is a graphic and typeface designer from Germany. He lives and works in The Hague, Netherlands, where he is a co-founder of Atelier Carvalho...

Jaap van Triest (1957) is a graphic and editorial designer. He designed numerous magazines (Forum, Vormberichten, etc.), publications in collaboration...

Irma Boom (1960) is an Amsterdam-based graphic designer specializing in book design. She worked for five years at the Dutch Government Publishing and ...

Is a graphic designer and typographer working in St Gallen, East Switzerland. Brought up in the orthodoxy of modernist ‘Swiss typography’,...