In the world driven by utility and performance, is there a room for open-ended typographic play system, that allows to discover something that was not entirely planned, something that the system hoped to allow, but could not guarantee?
Typeface stories ·
22 June 2020
· English
· 1112 words
Essays ·
11 April 2007
· Korean
· 1501 words
Essay accompanying the exhibition Graphic Design in the White Cube during the 22nd International Biennale of Graphic Design Brno 2006. Nineteen designers and collectives were commissioned to design posters for the design exhibition in which they were to participate. Instead of bringing work from the outside to the gallery, the work is made for the gallery. Instead of recreating the context for the exhibition, gallery conditions are the context for the work.
Essays ·
17 June 2006
· English
· 2245 words
A critical review of the London-based design group’s second collection of work, published in 2004. Peter Biľak’s review, first appearing in Items magazine, poses questions about the role of self-promotional design publishing as he describes the visually stimulating work of a contemporary design studio.
Reviews ·
29 November 2004
· English
· 592 words
A review, first appearing in Items first issue, of Bruce Mau‘s other large book, which arrived three years after S,M,L,XL. Described is an interesting archaeology of contemporary culture and design.
Reviews ·
29 November 2004
· English
· 899 words