collection of work

A collection of work is an assembly or compilation of the work of one or more designers.

In the world driven by utility and performance, is there a room for open-ended typographic play system, that allows to discover something that was not entirely planned, something that the system hoped to allow, but could not guarantee?
Typeface stories · 22 June 2020 · English · 1112 words
Essays · 11 April 2007 · Korean · 1501 words
Essay accompanying the exhibition Graphic Design in the White Cube during the 22nd International Biennale of Graphic Design Brno 2006. Nineteen designers and collectives were commissioned to design posters for the design exhibition in which they were to participate. Instead of bringing work from the outside to the gallery, the work is made for the gallery. Instead of recreating the context for the exhibition, gallery conditions are the context for the work.
Essays · 17 June 2006 · English · 2245 words
A critical review of the London-based design group’s second collection of work, published in 2004. Peter Biľak’s review, first appearing in Items magazine, poses questions about the role of self-promotional design publishing as he describes the visually stimulating work of a contemporary design studio.
Reviews · 29 November 2004 · English · 592 words
A review, first appearing in Items first issue, of Bruce Mau‘s other large book, which arrived three years after S,M,L,XL. Described is an interesting archaeology of contemporary culture and design.
Reviews · 29 November 2004 · English · 899 words
Steven Heller, in his affable way, reviews a book by Lewis Blackwell and Lorraine Wild which takes on Ed Fella's Polaroids of found graphics and alphabets throughout the US as well as some of his lettering. The book sounds like a lively account of American vernacular lettering and images, as well as a good platform to view Ed Fella's own work.
Reviews · 29 November 2004 · English · 975 words
A collection of Robert Crumb’s lesser known work spanning three decades gives credence to Steven Heller's claim that Crumb is the god of comics. Heller also gives a bit of background to the New York/US counterculture that Crumb fed with his racy work.
Reviews · 29 November 2004 · English · 594 words
The point-form story of a German dentist named Hans Josef Sachs and the magazine Das Plakat he founded on his love for posters. Responsible for the promulgation of early German advertising art abroad, his vast collection was confiscated by Goebbels for the Nazis’ collections and Sachs narrowly escaped the Holocaust. Steven Heller looks at the rise and fall of this significant early design periodical.
Essays · 29 November 2004 · English · 1894 words
The “epitome of a post-war Modernist”, Walter Herdeg, backbone of Graphis magazine, is appraised by Steven Heller.
Essays · 29 November 2004 · English · 711 words
A discussion about the role of design, museums and more in British and American culture.
Interviews · 29 November 2004 · English · 1548 words
A discussion about the art and design ephemera collecting practices of Merrill Berman, who has amassed a vast portfolio of design history from the past century and more.
Interviews · 29 November 2004 · English · 2340 words