Czech and Slovak Republics


The Czech and Slovak Republics are Central European countries which existed as Czechoslovakia from 1918 to 1992.

Uni Grotesk is a modern adaptation of the ubiquitous but awkward Universal Grotesk, a typeface that dominated communist Czechoslovakia.
Typeface stories · 7 March 2016 · English · 1550 words
The Nara typeface was completed more than 20 years after the initial design. This is the story of the search for gaps in type classification.
Typeface stories · 14 September 2011 · English · 1665 words
A real-life situation that forced a type designer to evaluate his profession. One small typographic detail (an incorrect version of the diacritic over the letter L) caused troubles with the authorities. With a happy end.
Essays · 25 September 2010 · English · 1466 words
Essays · 11 April 2007 · Korean · 1501 words
Dieser Artikel basiert zum Teil auf meiner Forschung für die Ausstellung über das tschechische und slowakische Schriftdesign mit Schwerpunkt auf der Entwicklung der Typografie in den letzten zwanzig Jahren, die ich zusammen mit Alan Záruba 2004-2006 kuratierte. Die Ausstellung mit dem Titel 'Experiment And Typography' wurde erstmals 2004 an der International Biennale of Graphic Design in Brno gezeigt und zog später weiter nach Prag, Den Haag, Bratislava, Cieszyn, Ljubljana, Warschau und Budapest.
Essays · 28 November 2006 · German · 3875 words
This article is partly based on the research for the exhibition on Czech and Slovak typeface design that we co-curated with Alan Záruba in 2004-2006 focusing on the last twenty years of typography development. The exhibition entitled 'Experiment And Typography' was first presented at the Biennale of Graphic Design in Brno in 2004 and later travelled to Prague, The Hague, Bratislava, Cieszyn, Ljubljana, Warsaw and Budapest.
Essays · 3 October 2006 · English · 3891 words
Essay accompanying the exhibition Graphic Design in the White Cube during the 22nd International Biennale of Graphic Design Brno 2006. Nineteen designers and collectives were commissioned to design posters for the design exhibition in which they were to participate. Instead of bringing work from the outside to the gallery, the work is made for the gallery. Instead of recreating the context for the exhibition, gallery conditions are the context for the work.
Essays · 17 June 2006 · English · 2245 words
Rudy VanderLans talks with Peter Biľak about the Typotheque founder’s education, design practice and experience as an ex-pat Slovak living in the Netherlands. Dot Dot Dot is discussed, as well as the typefaces Biľak has produced and his current teaching practice.
Interviews · 13 April 2005 · English · 4079 words
Dan Reynolds reviews a travelling exhibit of Czech and Slovak type design from the past two decades, and compares this exhibit to the Fresh Fonts exhibit of Swiss design shown in Zurich until July 2004.
Reviews · 29 November 2004 · English · 2013 words
Steven Heller laments the disappearance of refined modern design craftsmanship and organisation, and provides some background to Sutnar’s work, upholding him as a pioneer of just this sort of waning craft.
Essays · 29 November 2004 · English · 1230 words