Riccardo Olocco and Jonathan Pierini’s Parmigiano is a reinterpretation of the work of Giambattista Bodoni (1740–1813) commemorating the bicentenary of his death.

Article on the process of designing Karloff typeface, showing just how closely related beauty and ugliness are.

Parmigiano has the ambition to be the most extensive family of fonts ever to have been inspired by Giambattista Bodoni, and today we extend it further by Cyrillic and Greek styles.

The Parmigiano Typographic System is the most extensive family of fonts inspired by Giambattista Bodoni.

Karloff connects the high contrast Modern type of Bodoni and Didot with the monstrous Italians. The difference between the attractive and repulsive forms lies in the contrast between the thick and the thin.