Emigre


Emigre is a type foundry in Berkeley, California, founded by Rudy VanderLans and Zuzana Licko, publisher of Emigre magazine.

This article is partly based on the research for the exhibition on Czech and Slovak typeface design that we co-curated with Alan Záruba in 2004-2006 focusing on the last twenty years of typography development. The exhibition entitled 'Experiment And Typography' was first presented at the Biennale of Graphic Design in Brno in 2004 and later travelled to Prague, The Hague, Bratislava, Cieszyn, Ljubljana, Warsaw and Budapest.
Essays · 3 October 2006 · English · 3891 words
Rudy VanderLans talks with Peter Biľak about the Typotheque founder’s education, design practice and experience as an ex-pat Slovak living in the Netherlands. Dot Dot Dot is discussed, as well as the typefaces Biľak has produced and his current teaching practice.
Interviews · 13 April 2005 · English · 4079 words
The second chapter of Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997.
Essays · 23 January 2005 · English · 18886 words
The fifth chapter of Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997.
Essays · 23 January 2005 · English · 16066 words
Dan Reynolds reviews a travelling exhibit of Czech and Slovak type design from the past two decades, and compares this exhibit to the Fresh Fonts exhibit of Swiss design shown in Zurich until July 2004.
Reviews · 29 November 2004 · English · 2013 words
A review of Emigre Number 64, the Rant issue, where upon its pages designers do just that. Siegel talks about the old Legibility Wars of the 1990s, how design is being produced, thought of and critiqued today and in the 1990s, and he even provides an interesting background of the Dutch design environment as a foil for the maintream of the western design world.
Reviews · 29 November 2004 · English · 2127 words
In 1999, Print magazine talked to 20 American design heroes and had them look at work from their halcyon days. Designers from Art Chantry to Massimo Vignelli discuss a piece of early work as a foil for Print’s ‘Designers Under Thirty’ section.
Essays · 29 November 2004 · English · 4096 words
In the early 1990s Steven Heller takes on the word ugly as he sees it applied to graphic design and design education. En route, his views of art history, pop culture and recent design trends are considered in his essay about style and meaning in design.
Essays · 29 November 2004 · English · 2778 words
The globalisation and homogenisation of design, legibility and communication and the history of Emigre magazine are discussed in this interview with its founder, Rudy VanderLans.
Interviews · 29 November 2004 · English · 3323 words