Peter Biľak speaks with Mark Thomson about his beginnings, running a type foundry, magazines, print media in general, modern dance and typography. This interview appeared in Eye magazine No.75, Spring 2010 in the Reputations series.
Interviews ·
27 September 2010
· English
· 3447 words
Third in the heavily subsidised series ‘Graphic design in the Netherlands’, Jan van Toorn, Critical Practice takes on the difficult task of exploring and striving to elucidate the work of Jan van Toorn (JvT), a designer who is not always clear about his intentions, who makes frequent use of inexplicable images and text, and whose work is often described with concepts such as ‘alienation’, ‘incomprehensibility’, ‘defamiliarisation’, ‘digressions’ and ‘intrusion’.
Reviews ·
16 July 2008
· English
· 896 words
The second chapter of Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997.
Essays ·
23 January 2005
· English
· 18886 words
The fourth chapter of Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997.
Essays ·
23 January 2005
· English
· 15377 words
A collection of Robert Crumb’s lesser known work spanning three decades gives credence to Steven Heller's claim that Crumb is the god of comics. Heller also gives a bit of background to the New York/US counterculture that Crumb fed with his racy work.
Reviews ·
29 November 2004
· English
· 594 words