Tremolo Sans is a surprising low-contrast typeface with large x-height and unexpected humanist details.
29 October 2020
The Q Project is a game-like type system that enables users to create a nearly infinite number of variations. Inspired by toys like Lego or Meccano, Q invites you to explore its vast creative space and discover not only new solutions, but also new problems.
22 June 2020
Typotheque turns 20 this month, and to celebrate we have prepared a number of announcements as well as a digital revival of a font that we first published in 1999.
3 September 2019
Inspired by industrial signage, November Stencil gives a unique flavour to short texts and also provides surprising possibilities for colour typography and motion graphics.
13 November 2018
An extensive type system with distinctive members ideal for creating typographic contrasts and inventive layouts.
10 September 2018
October’s rounded strokes are inherent to the milling technique that inspired it.
13 December 2016
Francis is a narrow Sans-serif typeface with warm details and dramatic modulation of thick and thin strokes, ideal for creating strong headlines.
10 October 2016
November is a rational, utilitarian typeface inspired by street signage. Unlike most signage types it also handles long texts with ease.
12 September 2016
William, a contemporary interpretation of Caslon, is a truly international font in which English, Dutch and Russian influences come together to create one complete, modern type family.
29 February 2016
New stencil styles of the extensive Parmigiano Typographic System
9 November 2015
Woodkit is a playful fixed-width display series of typefaces inspired by wood type, designed by Ondrej Jób.
20 October 2014
Valter is a graceful and slightly cheeky collection of sans-serif display fonts inspired by pointed-pen writing.
15 May 2014
Lumin is an extensive type family designed by our longtime collaborator Nikola Djurek and intended especially for editorial use.
7 May 2013
Supernova is a family that combines the spontaneity of a script typeface with the versatility of multiple weights and cuts.
21 February 2013
Karloff connects the high contrast Modern type of Bodoni and Didot with the monstrous Italians. The difference between the attractive and repulsive forms lies in the contrast between the thick and the thin.
25 September 2012
Greta Sans explores a multidimensional continuum of possibilities, going beyond the relationship between weight and width, dissolving the boundaries between display and text typefaces.
10 April 2012
Plan Grotesque is a sturdy, unpretentious typeface for text of any kind; it is a functional workhorse with enough character to be distinctive at larger sizes.
23 February 2010
Irma is an elegant capital-only display typeface in 9 weights that is available in simple Sans & geometric Slab.
21 August 2009
Klimax received the Type Directors Club’s Certificate of Excellence in Type Design in 2009. Klimax also received the Judgeʼs Choice award.
20 February 2009