interdisciplinary refers to the interplay and cross-pollination of multiple design disciplines.

In the world driven by utility and performance, is there a room for open-ended typographic play system, that allows to discover something that was not entirely planned, something that the system hoped to allow, but could not guarantee?
Typeface stories · 22 June 2020 · English · 1112 words
Peter Biľak speaks with Mark Thomson about his beginnings, running a type foundry, magazines, print media in general, modern dance and typography. This interview appeared in Eye magazine No.75, Spring 2010 in the Reputations series.
Interviews · 27 September 2010 · English · 3447 words
Graphic designer Willem Sandberg became the director of Amsterdam’s Stedelijk Museum in 1945. From that time until 1962 he designed almost all the printed matter for the Stedelijk and transformed the museum, introducing new ideas into the stuffy world of museums of that time.
Reviews · 11 May 2005 · English · 1094 words
An epistemology of the word ‘experimental’ as it applies to design and type, contrasted with its scientific connotations. Examples of past and current design, type and reading/language, as well as scientific experiment, are taken into account.
Essays · 23 January 2005 · English · 2063 words
A critical review and description of an open-structured live multimedia performance series which took place in the Netherlands in 1999.
Reviews · 29 November 2004 · English · 531 words
A review of John Maeda's monograph from 2000. A critical look at the book's design, and the philosophy and work of the new media designer/artist.
Reviews · 29 November 2004 · English · 540 words
Stuart Bailey discusses the curation of a retrospective of Dutch design, illustrating the fallibility of presentation methods which treat design work as museum or gallery pieces.
Reviews · 29 November 2004 · English · 1080 words
Emily King briefly looks at visual artists use of type, and their collaboration with designers in their work.
Essays · 29 November 2004 · English · 1489 words
An overview of the work of Cuban-born titling artist Pablo Ferro who broke ground with the titles for films like Dr. Strangelove and pioneered moving type for the screen.
Essays · 29 November 2004 · English · 3038 words
About the German-born founder of the Bettmann Archives in New York which houses over 5 million cuts, drawings, images and pieces of ephemera, collected since the 1930's.
Essays · 29 November 2004 · English · 607 words
Design errors in academic design curricula, the 2000 presidential ballot and aviation and nuclear accidents are considered, the concept of human error is called into question, and a call for human-centered design for the fallible user is put forward in this discussion from 2001.
Interviews · 29 November 2004 · English · 2341 words
A theory-heavy, mid-1990s look at the concept of Deconstruction, looking at its origins in French post-structuralist discourse and then current use in the design world.
Essays · 29 November 2004 · English · 5125 words