Documentation and research that lead to design of Arabic newspaper typeface

Hinting, or screen optimising, is the process by which TrueType or PostScript fonts are adjusted for maximum readability on computer monitors. This text compares different ways of hinting (black & white, grey-scale, ClearType, DirectWrite), and explains the behaviour of fonts under different rasterisers.

An epistemology of the word ‘experimental’ as it applies to design and type, contrasted with its scientific connotations. Examples of past and current design, type and reading/language, as well as scientific experiment, are taken into account.

The abstract for Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997.

The second chapter of Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997.

Fedra Sans supports another two writing scripts, and 280 million more speakers.

William, a contemporary interpretation of Caslon, is a truly international font in which English, Dutch and Russian influences come together to create one complete, modern type family.

Neutral, designed almost a decade ago, is now finally out. It takes inspiration from typefaces that seem ageless, remaining fresh and relevant even decades after they were designed.

Tribunal was originally developed as the custom font of a cross-platform magazine, designed from the start to work equally well in both print and screen media.

Lava font was designed for magazine use, but far transcends its original application. It’s a no-nonsense workhorse typeface that can handle large quantities of text with ease.