METAFONT


Metafont is a programming language used to define vector fonts, originally devised by Donald Knuth as counterpart to his TeX typesetting system.

The Nara typeface was completed more than 20 years after the initial design. This is the story of the search for gaps in type classification.
Typeface stories · 14 September 2011 · English · 1665 words
Designer and programmer Jürg Lehni analyses the evolution of typographic technology and the nature of digital fonts, and introduces Donald E. Knuth’s groundbreaking TeX and Metafont systems. An essay complemented by interviews with Peter Biľak, Erik Spiekermann and Dimitri Bruni (NORM).
Essays · 14 April 2011 · English · 4373 words
Jürg Lehni and Peter Biľak in a conversation about the role of technology in type design, font formats and production tools, and Donald E. Knuth’s Metafont.
Interviews · 14 April 2011 · English · 1544 words
Jürg Lehni interviews Erik Spiekermann about the legal definition of typefaces, web font distribution models and parametric fonts.
Interviews · 14 April 2011 · English · 1322 words
A glossary of tools and technologies mentioned in Typeface As Programme.
Essays · 14 April 2011 · English · 1084 words
An essay on the history and definition of type families, type design parameters, and the possibilities of creating larger type systems today.
Essays · 31 January 2008 · English · 2705 words
Dieser Artikel basiert zum Teil auf meiner Forschung für die Ausstellung über das tschechische und slowakische Schriftdesign mit Schwerpunkt auf der Entwicklung der Typografie in den letzten zwanzig Jahren, die ich zusammen mit Alan Záruba 2004-2006 kuratierte. Die Ausstellung mit dem Titel 'Experiment And Typography' wurde erstmals 2004 an der International Biennale of Graphic Design in Brno gezeigt und zog später weiter nach Prag, Den Haag, Bratislava, Cieszyn, Ljubljana, Warschau und Budapest.
Essays · 28 November 2006 · German · 3875 words
This article is partly based on the research for the exhibition on Czech and Slovak typeface design that we co-curated with Alan Záruba in 2004-2006 focusing on the last twenty years of typography development. The exhibition entitled 'Experiment And Typography' was first presented at the Biennale of Graphic Design in Brno in 2004 and later travelled to Prague, The Hague, Bratislava, Cieszyn, Ljubljana, Warsaw and Budapest.
Essays · 3 October 2006 · English · 3891 words
The first chapter of Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997 (part one).
Essays · 23 January 2005 · English · 15154 words
The second chapter of Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997.
Essays · 23 January 2005 · English · 18886 words