From the single-style, monolingual fonts of the metal-type era to the complex, sprawling, multi-script families of the digital present, typography and type design have evolved, not only to embrace developments in print and communication technology, but also to support a world where unity and diversity must meet if we are to survive.

Aware that there is no such thing as total neutrality, Neutral typeface explores how the absence of stylistic associations can help the reader to engage with the content of a text.

Tribunal went through multiple iterations in a very public trial-and-error process as the custom font of the cross-platform Slovene student magazine Tribuna. Its key stylistic features were developed to meet the functional requirements of a constantly evolving publication with a limited budget.

Greta Sans was been planned from the outset as a system of interrelated styles. From the very beginning, work proceeded on multiple styles simultaneously. This text is a reflection on the process of designing large typeface systems.

Detailed look at the English edition of Letter Fountain, typographic reference book examining the form and anatomy of Latin alphabet.

A practical, comprehensive typeface family specifically created for laying out effective print and PDF forms.

The Parmigiano Typographic System is the most extensive family of fonts inspired by Giambattista Bodoni.

Typotheque type specimen No. 10 makes typeface selection easier and more fun with split pages that let you create over 10,000 type combinations.

How Al Gore requested a change of inconvenient figure one in Brioni typeface for his book Our Choice.

Prof. Johannes Bergerhausen (1965) has worked with Grapus founders Gérard Paris-Clavel and Pierre Bernard. Since 2002 he has been the professor...