An extensive type system with distinctive members ideal for creating typographic contrasts and inventive layouts.
10 September 2018
Typotheque launches a new type design programme, a collection of contemporary text and display fonts for the Hebrew language.
23 October 2017
November is a rational, utilitarian typeface inspired by street signage. Unlike most signage types it also handles long texts with ease.
12 September 2016
William, a contemporary interpretation of Caslon, is a truly international font in which English, Dutch and Russian influences come together to create one complete, modern type family.
29 February 2016
Vita is a distinctive and quietly confident 21st century sans serif typeface for high and low resolutions.
18 January 2016
After Latin, Greek, Cyrillic, Arabic, Armenian, and Devanagari, Inuktitut is the seventh writing script supported by Fedra Sans
4 November 2015
Parmigiano has the ambition to be the most extensive family of fonts ever to have been inspired by Giambattista Bodoni, and today we extend it further by Cyrillic and Greek styles.
29 June 2015
Three years ago, we have launched Greta Sans. Now, we further expand the system by Cyrillic and Greek versions, creating probably the largest type systems available for those languages.
13 April 2015
Introducing a new typeface Echo, a sans serif counterpart to the newly released Charlie, with subtle influence from the broad nib pen.
13 January 2015
Neutral, designed almost a decade ago, is now finally out. It takes inspiration from typefaces that seem ageless, remaining fresh and relevant even decades after they were designed.
14 April 2014
Tribunal was originally developed as the custom font of a cross-platform magazine, designed from the start to work equally well in both print and screen media.
16 December 2013
Irma Text Narrow is a space saving addition to Irma type system. While the original Irma Text has generous proportions, the Narrow version is 20% more condensed, yet still preserving the Irma’s DNA.
13 November 2012
Greta Sans explores a multidimensional continuum of possibilities, going beyond the relationship between weight and width, dissolving the boundaries between display and text typefaces.
10 April 2012