Peter Biľak (1973–) is a Slovakian graphic designer and type designer based in The Netherlands, founder of Typotheque and Dot Dot Dot magazine, designer of Fedra, Greta and Eureka typefaces.
A long-awaited reprint of the 2004 book ‘Dutch Type’, a comprehensive overview of type design and lettering in the Netherlands from the 15th to the 20th centuries
Transparency is a study on design and language, Peter Bilak’s MA thesis at the Academy of Fine Arts & Design in Bratislava (1997), designed, written and edited by the author.
Final issue of Works That Work magazine. This issue presents a vision of design that we believe in, design as a process that leads to permanent betterment of life and where everyone involved benefits.
The Sport and Game issue of WTW, about
sport as a powerful tool for shaping the foundations of a community, for solving problems where politicians stalemate and for paving the way for social progress.
Many magazines rush to cover the very latest news, racing to be the first to get a story out. In WTW No. 6 we look at forgotten ideas worth a second look.
In this issue of WTW we look at inventions as deceptively simple as the shipping container and as staggeringly complex as an intercontinental aircraft.
A publication which began life as a graphic design magazine, but whose content has gradually widened to cover art, music, language, politics, film and literature.
Latest issue of the bi-annual independent art/design publication which began life as a graphic design magazine, but whose content has gradually widened to cover art, music, language, politics, film and literature.
Art/design publication which began life as a graphic design magazine, but whose content has widened to cover art, music, language, politics, film and literature.
Bi-annual independent art/design publication which began life as a graphic design magazine, but whose content has gradually widened to cover art, music, language, politics, film and literature.
Catalogue of an accompanying exhibition of the 22nd International Biennale of Graphic Design Brno 2006. The exhibition critically questions possibilities of organising graphic design exhibitions today, and documents reactions of invited designers.
Bi-annual independent art/design publication which began life as a graphic design magazine, but whose content has gradually widened to cover art, music, language, politics, film and literature.
Art/design publication which began life as a graphic design magazine, but whose content has widened to cover art, music, language, politics, film and literature.
Bi-annual independent art/design publication which began life as a graphic design magazine, but whose content has gradually widened to cover art, music, language, film and literature.
Bi-annual independent art/design publication which began life as a graphic design magazine, but whose content has gradually widened to cover art, music, language, film and literature.
DDDX is a montage of articles drawn from issues 2–9. This is not a retrospective act, more a logical next step; a slight return in response to the self-righteous statment of intent on the cover of issue 1; a reply to ourselves after five years’ trial & error.
Art/design publication which began life as a graphic design magazine, but whose content has widened to cover art, music, language, film and literature.
Art/design publication which began life as a graphic design magazine, but whose content has widened to cover art, music, language, film and literature.
Independent art/design publication which began life as a graphic design magazine, but whose content has gradually widened to cover art, music, language, film and literature.