Peter Biľak


Peter Biľak (1973–) is a Slovakian graphic designer and type designer based in The Netherlands, founder of Typotheque and Dot Dot Dot magazine, designer of Fedra, Greta and Eureka typefaces.

This book was published on the occasion of the opening of Typotheque’s solo exhibition at the Kunstmuseum Den Haag.
A long-awaited reprint of the 2004 book ‘Dutch Type’, a comprehensive overview of type design and lettering in the Netherlands from the 15th to the 20th centuries
Transparency is a study on design and language, Peter Bilak’s MA thesis at the Academy of Fine Arts & Design in Bratislava (1997), designed, written and edited by the author.
A limited edition full set of Works That Work magazine, in a specially made slipcase.
Final issue of Works That Work magazine. This issue presents a vision of design that we believe in, design as a process that leads to permanent betterment of life and where everyone involved benefits.
Typotheque Type specimen No.15 presents 21 Hebrew type families, and describes the process of designing them.
The Sport and Game issue of WTW, about sport as a powerful tool for shaping the foundations of a community, for solving problems where politicians stalemate and for paving the way for social progress.
Backstage Talks is an in-depth interview magazine about how design can change business for better by making it both useful and beautiful.
This issue of Works That Work magazine is exploring the role of design in the development of Bhutan.
This issue of WTW strives to probe beyond the visible aspect of design. We look at the invisible organisational principles shaping our lives.
This issue of Works That Work is exploring the fine line between breaking the rules and breaking the laws.
Many magazines rush to cover the very latest news, racing to be the first to get a story out. In WTW No. 6 we look at forgotten ideas worth a second look.
If necessity is the mother of invention, extreme environments must be hotbeds of innovation. This issue of Works That Work finds out.
In this issue we look at designs from the past that have shaped the present, and designs from the present that will affect the future.
In this issue of WTW we look at inventions as deceptively simple as the shipping container and as staggeringly complex as an intercontinental aircraft.
This type specimen features in detail Greta Sans type family and includes the extensive article on the process of designing type systems.
A publication which began life as a graphic design magazine, but whose content has gradually widened to cover art, music, language, politics, film and literature.
Latest issue of the bi-annual independent art/design publication which began life as a graphic design magazine, but whose content has gradually widened to cover art, music, language, politics, film and literature.
Art/design publication which began life as a graphic design magazine, but whose content has widened to cover art, music, language, politics, film and literature.
Bi-annual independent art/design publication which began life as a graphic design magazine, but whose content has gradually widened to cover art, music, language, politics, film and literature.
Catalogue of an accompanying exhibition of the 22nd International Biennale of Graphic Design Brno 2006. The exhibition critically questions possibilities of organising graphic design exhibitions today, and documents reactions of invited designers.
Bi-annual independent art/design publication which began life as a graphic design magazine, but whose content has gradually widened to cover art, music, language, politics, film and literature.
Art/design publication which began life as a graphic design magazine, but whose content has widened to cover art, music, language, politics, film and literature.
Bi-annual independent art/design publication which began life as a graphic design magazine, but whose content has gradually widened to cover art, music, language, film and literature.
Bi-annual independent art/design publication which began life as a graphic design magazine, but whose content has gradually widened to cover art, music, language, film and literature.
DDDX is a montage of articles drawn from issues 2–9. This is not a retrospective act, more a logical next step; a slight return in response to the self-righteous statment of intent on the cover of issue 1; a reply to ourselves after five years’ trial & error.
This magazine began life as a graphic design journal, but whose content has gradually widened to cover other areas.
Art/design publication which began life as a graphic design magazine, but whose content has widened to cover art, music, language, film and literature.
Art/design publication which began life as a graphic design magazine, but whose content has widened to cover art, music, language, film and literature.
Independent art/design publication which began life as a graphic design magazine, but whose content has gradually widened to cover art, music, language, film and literature.
This publication presents work of Czech and Slovak designers focused on the process of creating innovative typographic solutions