A real-life situation that forced a type designer to evaluate his profession. One small typographic detail (an incorrect version of the diacritic over the letter L) caused troubles with the authorities. With a happy end.

Third in the heavily subsidised series ‘Graphic design in the Netherlands’, Jan van Toorn, Critical Practice takes on the difficult task of exploring and striving to elucidate the work of Jan van Toorn (JvT), a designer who is not always clear about his intentions, who makes frequent use of inexplicable images and text, and whose work is often described with concepts such as ‘alienation’, ‘incomprehensibility’, ‘defamiliarisation’, ‘digressions’ and ‘intrusion’.

More than 35 years after the seminal art book Ways of Seeing was published, Peter Biľak looks closely at its continuing relevance.

A Korean translation of Stefan Sagmeister’s lecture about the state of contemporary design, ethics, advertising and aesthetics.

The fourth chapter of Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997.

How Al Gore requested a change of inconvenient figure one in Brioni typeface for his book Our Choice.