Typotheque partnered with Seoul-based Sandoll to create a brand new Hangul typeface system that would expand the acceptability of sans serif Hangul letterforms, giving users more choices to work with.
29 October 2020
Tremolo Sans is a surprising low-contrast typeface with large x-height and unexpected humanist details.
29 October 2020
The veteran and the young blood, a duo of typefaces defined by a generational divide.
14 January 2020
Oli Grotesk is an affable, high-performance typeface family informed by the industrial aesthetics of mechanical writing tools.
24 September 2019
Typotheque turns 20 this month, and to celebrate we have prepared a number of announcements as well as a digital revival of a font that we first published in 1999.
3 September 2019
Over a decade in development, Ping is a new, not-so geometric Sans.
25 March 2019
A new typeface for identities and headlines, with quirky forms inspired by an unusual signage system.
14 May 2018
Designed by Daniel Grumer, Zico Hebrew is a modern and versatile low-contrast typeface family.
4 October 2017
Zico Sans is a slightly square-ish Sans Serif with humanist roots designed by Marko Hrastovec.
3 October 2017
Greta Sans Devanagari is the largest typeface system of interrelated styles produced for any Indic language, suitable for small text and headlines.
4 September 2017
Plotter is a massive type family that explores the world of technical drawings and architectural plans
24 May 2017
Nara Sans is an energetic sans serif version of Typotheque’s Nara family, echoing the original concept of dynamic, upright cursives and slanted italics.
11 April 2017
Diurnal is a sans-serif version of our popular Nocturno typeface.
20 February 2017
October’s rounded strokes are inherent to the milling technique that inspired it.
13 December 2016
Francis is a narrow Sans-serif typeface with warm details and dramatic modulation of thick and thin strokes, ideal for creating strong headlines.
10 October 2016
November is a rational, utilitarian typeface inspired by street signage. Unlike most signage types it also handles long texts with ease.
12 September 2016
Fedra Sans supports another two writing scripts, and 280 million more speakers.
5 September 2016
Vita is a distinctive and quietly confident 21st century sans serif typeface for high and low resolutions.
18 January 2016
After Latin, Greek, Cyrillic, Arabic, Armenian, and Devanagari, Inuktitut is the seventh writing script supported by Fedra Sans
4 November 2015
Introducing a new typeface Echo, a sans serif counterpart to the newly released Charlie, with subtle influence from the broad nib pen.
13 January 2015
Valter is a graceful and slightly cheeky collection of sans-serif display fonts inspired by pointed-pen writing.
15 May 2014
Neutral, designed almost a decade ago, is now finally out. It takes inspiration from typefaces that seem ageless, remaining fresh and relevant even decades after they were designed.
14 April 2014
Lumin is an extensive type family designed by our longtime collaborator Nikola Djurek and intended especially for editorial use.
7 May 2013
Irma Text Narrow is a space saving addition to Irma type system. While the original Irma Text has generous proportions, the Narrow version is 20% more condensed, yet still preserving the Irma’s DNA.
13 November 2012
Irma Screen is designed to work equally well on paper and the computer screen. It is available in TrueType format only and has been specially optimised for exceptional readability on laptops, desktops, mobile devices and other digital displays.
3 September 2012
Greta Sans explores a multidimensional continuum of possibilities, going beyond the relationship between weight and width, dissolving the boundaries between display and text typefaces.
10 April 2012
Plan Grotesque is a sturdy, unpretentious typeface for text of any kind; it is a functional workhorse with enough character to be distinctive at larger sizes.
23 February 2010
Irma is an elegant capital-only display typeface in 9 weights that is available in simple Sans & geometric Slab.
21 August 2009