The story of Devanagari type from early print to the digital age, as Indian print culture both sparked and responded to intense socio-political change and constant technological innovation.

We created a survey to evaluate different graphic variants of Devanagari characters, interviewing hundreds of people gathering data and recommendations not only on the recognisability of each form of the Devanagari characters, but also on the preferences of readers and users.

The abstract for Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997.

The introduction to Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997 (part one).

The introduction of Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997 (part three).

We share we have have learned in our practice, and we’d like to learn more from you about how we can create more useful and valuable typefaces. Please take part of our online survey.

Simple graphics unite Slovaks seeking justice and decency in the largest protests in the country’s history.

We have just received Social Energy, a book documenting a series of travelling design exhibitions, workshops and lectures presented across China.

Typotheque goes Facebook, Twitter and Flickr.

Karthik Malli is an independent researcher and writer based in Bangalore, India. His work, based in linguistics and history, focuses on the intersecti...