In the world driven by utility and performance, is there a room for open-ended typographic play system, that allows to discover something that was not entirely planned, something that the system hoped to allow, but could not guarantee?

From the single-style, monolingual fonts of the metal-type era to the complex, sprawling, multi-script families of the digital present, typography and type design have evolved, not only to embrace developments in print and communication technology, but also to support a world where unity and diversity must meet if we are to survive.

This article highlights some major steps in the historical development of lettering tools for drafting.

Ondrej Jób is describing the process of designing Woodkit, a playful fixed-width display series of typefaces inspired by wood type.

Supernova is a new family that combines the spontaneity of a script typeface with the versatility of multiple weights and cuts.

The veteran and the young blood, a duo of typefaces defined by a generational divide.

Inspired by industrial signage, November Stencil gives a unique flavour to short texts and also provides surprising possibilities for colour typography and motion graphics.

An extensive type system with distinctive members ideal for creating typographic contrasts and inventive layouts.

Typotheque launches a new type design programme, a collection of contemporary text and display fonts for the Hebrew language.

Greta Sans Devanagari is the largest typeface system of interrelated styles produced for any Indic language, suitable for small text and headlines.

Typotheque creates custom fonts and typefaces for corporate branding and identity projects. We offer tailor-made multilingual type solutions for a variety of languages and applications.