The veteran and the young blood, a duo of typefaces defined by a generational divide.
14 January 2020
Inspired by industrial signage, November Stencil gives a unique flavour to short texts and also provides surprising possibilities for colour typography and motion graphics.
13 November 2018
An extensive type system with distinctive members ideal for creating typographic contrasts and inventive layouts.
10 September 2018
Typotheque launches a new type design programme, a collection of contemporary text and display fonts for the Hebrew language.
23 October 2017
Greta Sans Devanagari is the largest typeface system of interrelated styles produced for any Indic language, suitable for small text and headlines.
4 September 2017
Plotter is a massive type family that explores the world of technical drawings and architectural plans
24 May 2017
Fedra Sans supports another two writing scripts, and 280 million more speakers.
5 September 2016
There is nothing better than seeing our fonts in action
28 June 2016
New stencil styles of the extensive Parmigiano Typographic System
9 November 2015
Parmigiano has the ambition to be the most extensive family of fonts ever to have been inspired by Giambattista Bodoni, and today we extend it further by Cyrillic and Greek styles.
29 June 2015
Three years ago, we have launched Greta Sans. Now, we further expand the system by Cyrillic and Greek versions, creating probably the largest type systems available for those languages.
13 April 2015
Introducing a new typeface Echo, a sans serif counterpart to the newly released Charlie, with subtle influence from the broad nib pen.
13 January 2015
Woodkit is a playful fixed-width display series of typefaces inspired by wood type, designed by Ondrej Jób.
20 October 2014
The Parmigiano Typographic System is the most extensive family of fonts inspired by Giambattista Bodoni.
7 July 2014
History was designed around a base of Roman inscriptional capitals, and includes 21 independent typefaces which can be selectively combined in layers. Now available for Cyrillic and Greek.
7 November 2013
Communication Arts publisher Patrick Coyne needed a typeface that would give them the typographical tools necessary to support an international publication in both print and onscreen applications.
17 June 2013
Lumin is an extensive type family designed by our longtime collaborator Nikola Djurek and intended especially for editorial use.
7 May 2013
Supernova is a family that combines the spontaneity of a script typeface with the versatility of multiple weights and cuts.
21 February 2013
This Greta Sans Type System Specimen App was created to help you explore the type system intuitively with a mouse or your fingers.
2 May 2012
Georgi Sztojanov, a composer from The Hague, matched visual parameters of Greta Sans type system to musical parameters to create a musical composition.
12 April 2012
Greta Sans explores a multidimensional continuum of possibilities, going beyond the relationship between weight and width, dissolving the boundaries between display and text typefaces.
10 April 2012
Greta Symbol is a unique collection of thousands of useful symbols and alphanumerical characters, available as icons fonts in a range of 10 weights.
7 April 2012
Irma Text is ideal for the formal requirements of contemporary publishing or giving a unique voice to brand identity projects. Irma is a versatile family of fonts, offering a complete palette of typographic choices.
14 September 2011
Two years after releasing History, Peter Biľak reflects on the process of creating this skeletal system in which different styles are superimposed on a base of Roman capitals.
9 March 2010
Elementar is a parametric bitmap font system designed to bring more typographic flexibility to digital screens. The Elementar system can produce a virtually unlimited number of fonts along different variation axes (size, weight, width, style, element size & shape)
2 July 2009