typography


Typography is the art and technique of arranging type.

Richly illustrated book on the body of work of the Dutch type designer Gerard Unger.
A 1993 facsimile of the famous type specimen from 1768 by the Enschedé type foundry with a separate English-language book with descriptions.
The first, and until now the only, book exploring in-depth Tibetan type and typography. This book presents research regarding the origin, development, and typographical function of letter types in Tibetan writing, from their beginnings in 1738 to the present.
The first TPTQ Arabic printed type specimen presents the collection of current and upcoming Arabic typefaces and their Latin counterparts.
This book was published on the occasion of the opening of Typotheque’s solo exhibition at the Kunstmuseum Den Haag.
Fourth edition of much anticipated book presenting almost 60 years of the work of Karel Martens.
A long-awaited reprint of the 2004 book ‘Dutch Type’, a comprehensive overview of type design and lettering in the Netherlands from the 15th to the 20th centuries
Transparency is a study on design and language, Peter Bilak’s MA thesis at the Academy of Fine Arts & Design in Bratislava (1997), designed, written and edited by the author.
Theory of Type Design consists of 24 short chapters describing different aspects of type design, from how our eyes and brain process letterforms to their power of expression.
Typotheque Type specimen No.15 presents 21 Hebrew type families, and describes the process of designing them.
Backstage Talks is an in-depth interview magazine about how design can change business for better by making it both useful and beautiful.
Bram de Does has conducted extended research into the endless combinations of patterns, ornaments, and borders.
This book presents eleven interviews with renowned type designers and writers, interviewed by students of Type Media postgraduate course in type design.
A concise yet rich discussion of all the small things that enhance the legibility of texts. A guide to micro-typography considering all text situations.
Latest issue of the bi-annual independent art/design publication which began life as a graphic design magazine, but whose content has gradually widened to cover art, music, language, politics, film and literature.
Bi-annual independent art/design publication which began life as a graphic design magazine, but whose content has gradually widened to cover art, music, language, politics, film and literature.
Bi-annual independent art/design publication which began life as a graphic design magazine, but whose content has gradually widened to cover art, music, language, politics, film and literature.
Art/design publication which began life as a graphic design magazine, but whose content has widened to cover art, music, language, politics, film and literature.
Bi-annual independent art/design publication which began life as a graphic design magazine, but whose content has gradually widened to cover art, music, language, film and literature.
Bi-annual independent art/design publication which began life as a graphic design magazine, but whose content has gradually widened to cover art, music, language, film and literature.
Gerrit Noordzij’s powerful and analytical text, illustrated with his own diagrams and examples, presents a genuine theory of writing.
DDDX is a montage of articles drawn from issues 2–9. This is not a retrospective act, more a logical next step; a slight return in response to the self-righteous statment of intent on the cover of issue 1; a reply to ourselves after five years’ trial & error.
This magazine began life as a graphic design journal, but whose content has gradually widened to cover other areas.
Art/design publication which began life as a graphic design magazine, but whose content has widened to cover art, music, language, film and literature.
Art/design publication which began life as a graphic design magazine, but whose content has widened to cover art, music, language, film and literature.
Independent art/design publication which began life as a graphic design magazine, but whose content has gradually widened to cover art, music, language, film and literature.
This publication presents work of Czech and Slovak designers focused on the process of creating innovative typographic solutions
This is the first publication devoted to De Does’s life and work best known as a type and book designer, creator of typefaces Trinité and Lexicon.
This is a 2019 reprint of the book first published in 1992. Kinross argues that ‘modern typography’ is more than just a modernism of style. Typography, in this book is considered in the light of the social, political and technical changes of the recent period.