Brenner Script

About

The extravagant Brenner Script is part of the Brenner superfamily, combining seemingly unrelated styles into one remarkably harmonious family. Brenner Script has an unorthodox, disconnected style reminiscent of the café signage of the Mediterranean coast.

PDF Specimen
Available in
  • Latin
Brenner Script Family Overview
  • Light
    Light
  • Regular
    Regular
  • Medium
    Medium
  • Bold
    Bold
Brenner Script Variable
Aa
LightBuy
Amsterdam
RegularBuy
Bengaluru
MediumBuy
Copenhagen
BoldBuy
Damascus
BoldBuy
In its most general sense, the term ‘world’ refers to the totality of entities, to the whole of reality or to everything that is. The nature of the world has been conceptualized differently in different fields. Some conceptions see the world as unique while others talk of a ‘plurality of worlds’. Some treat the world as one simple object while others analyze the world as a complex made up of many parts. In scientific cosmology the world or universe is commonly defined as ’the totality of all space and time; all that is, has been, and will be’. Theories of modality, on the other hand, talk of possible worlds as complete and consistent ways how things could have been. Phenomenology, starting from the horizon of co-given objects present in the periphery of every experience, defines the world as the biggest horizon or the ‘horizon of all horizons’. In philosophy of mind, the world is commonly contrasted with the mind as that which is represented by the mind. Theology conceptualizes the world in relation to God, for example, as God’s creation, as identical to God or as the two being interdependent. In religions, there is often a tendency to downgrade the material or sensory world in favor of a spiritual world to be sought through religious practice. A comprehensive representation of the world and our place in it, as is commonly found in religions, is known as a worldview. Cosmogony is the field that studies the origin or creation of the world while eschatology refers to the science or doctrine of the last things or of the end of the world.
RegularBuy
In its most general sense, the term ‘world’ refers to the totality of entities, to the whole of reality or to everything that is. The nature of the world has been conceptualized differently in different fields. Some conceptions see the world as unique while others talk of a ‘plurality of worlds’. Some treat the world as one simple object while others analyze the world as a complex made up of many parts. In scientific cosmology the world or universe is commonly defined as ’the totality of all space and time; all that is, has been, and will be’. Theories of modality, on the other hand, talk of possible worlds as complete and consistent ways how things could have been. Phenomenology, starting from the horizon of co-given objects present in the periphery of every experience, defines the world as the biggest horizon or the ‘horizon of all horizons’. In philosophy of mind, the world is commonly contrasted with the mind as that which is represented by the mind. Theology conceptualizes the world in relation to God, for example, as God’s creation, as identical to God or as the two being interdependent. In religions, there is often a tendency to downgrade the material or sensory world in favor of a spiritual world to be sought through religious practice. A comprehensive representation of the world and our place in it, as is commonly found in religions, is known as a worldview. Cosmogony is the field that studies the origin or creation of the world while eschatology refers to the science or doctrine of the last things or of the end of the world.

Design concept

Brenner combines seemingly unrelated styles into one large superfamily. Its unobtrusive Sans, confident Serif, expressive Display, utilitarian Mono, sharply chiselled Slab and extravagant Script, along with space-saving Condensed Sans styles, all share vertical metrics, and can be easily combined. The styles differ from each other because each is built around a different model, yet despite this distinction, they support each other surprisingly well in complex layouts, creating a remarkably harmonious family.

Brenner Script font, design concept

Unorthodox Script

Brenner Script has an unorthodox, disconnected style reminiscent of the café signage of the Mediterranean coast. It is available in four weights ranging from Light to Bold.

Brenner Script font, Unorthodox script

Disconnected Script, connected

Brenner Script is an expressive, disconnected script, with small gaps between letters. However, the fonts also contain a Stylistic Set feature that allows the letters to be connected, creating a graphical continuity of shapes. For more information please see the PDF instructions, or the Features section.

Brenner Script font, design concept

  • AwardsTypographica Favorite Typefaces of 2018
  • Released2018

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  • aa
    aa

    Connected script

    ss01

    The lower-case letters in Brenner Script are disconnected. This stylistic set connects them.
  • (H:
    (H:

    Case Sensitive Forms

    case

    When the ‘change to caps’ function is applied from within an application (not when text is typed in caps) appropriate case-sensitive forms are automatically applied. Regular brackets, parenthesis, dashes and hyphens are replaced with their capital forms.
  • ->
    ->

    Arrow formation

    dlig

    The discretionary ligature feature creates real arrows when you type the combination -> (right arrow), <- (left arrow), -^ (up arrow) or ^- (down arrow).
  • fi
    fi

    Standard Ligatures

    liga

    Standard ligatures are those which are designed to improve the readability of certain letter pairs. For example, when this feature is activated, typing ‘f’ and ‘i’ will automatically produce the ‘fi’ ligature. Using ligatures does not affect the spelling and hyphenation of your text in any way.
  • 19
    19

    Proportional Lining Figures

    lnum + pnum

    Typotheque fonts contain various styles of numerals within one font. Old-style Figures, also known as ranging figures, come standard in our text fonts. They are specifically designed to work well in running text, as they have the same proportions as lower case letters with their ascenders and descenders. The proportional Lining Figures feature changes standard figures to Lining figures which work better with all-capital text.
  • 19
    19

    Tabular Lining Figures

    lnum + tnum

    Tabular figures are for use in tables where numerals need to be aligned vertically. Tabular figures are available as a OpenType feature and have a fixed width in all weights. Typotheque fonts include both Lining and Old-style Tabular figures.
  • 19
    19

    Tabular Old-style Figures

    onum + tnum

    Tabular figures are for use in tables where numerals need to be aligned vertically. Tabular figures are available as a OpenType feature and have a fixed width in all weights. Typotheque fonts include both Lining and Old-style Tabular figures.
  • 2/9
    2/9

    Arbitrary Fractions

    frac

    Typotheque OpenType fonts already include a number of pre-designed diagonal fractions. The fraction feature allows you to create other fractions quickly and easily.
  • H1
    H1

    Superiors

    sups

    Replaces all styles of figures (old style, tabular, lining) and letters with their superior alternates, which can be used for footnotes, formulas, etc. Superior characters are more legible than mathematically scaled characters, have a similar stroke weight, are spaced more generously, and better complement the rest of the text.
  • H1
    H1

    Inferiors

    sinf

    Replaces all styles of figures (old style, tabular, lining) and letters with their inferior alternates, used primarily for mathematical or chemical notation. Inferior characters are more legible than mathematically scaled characters, have a similar stroke weight, are spaced more generously, and better complement the rest of the text