Charlie is an affable slab serif typeface for use in print and exhibition settings. Its design is restrained in approach, yet the narrow proportions, high x-height and sharp, distinct details make it unique among other slab serifs.PDF Specimen
Charlie is a slab serif typeface created for use in way-finding and exhibition settings. An affable slab serif, Charlie’s personality is clear and direct. Its design is restrained in approach, yet with narrow proportions, high x-height and sharp finishing details, it is unique among other slab serifs. Charlie’s broad range – from open hairlines to robust black weights – offers a number of options that lend the typeface versatility in use.
Previously named Foxtrot, the typeface began as Ross’ thesis project at the Type and Media master’s course in The Hague and developed over the next two years into a full typeface. Read more about development of the Charlie typeface ▸
Each of Charlie’s lighter weights – from Hairline to Regular – are available in two optical sizes, one heavier than the other. Unlike other typefaces with optical sizes, Charlie’s exist to match each other at specific intervals of display sizes.
The eight optical weights form a proportional system that allows for varying type size while maintaining even stroke width. Try it out directly in the Charlie Weight Calculator. In this way, Charlie enables subtle shifts in the hierarchy of information while remaining visually harmonious.
Charlie contains a series of arrow sets and symbols relevant for way-finding signage, information systems and exhibition settings, as well as a series for broader use.
- DesignGayaneh Bagdasaryan (Cyrillic)Natasha Raissaki (Greek)Ross Milne (Latin)
- ContributorsIgino Marini (Cyrillic, Greek, Latin)
- EngineeringRoberto Arista (Cyrillic, Greek, Latin)
- AwardsGraphex Award 2010
- Tajik (Cyrillic)
- Mordvin (Moksha)
- Azeri (Cyrillic)
- Mordvin (Erzya)
- Kildin Sami
- Greek (modern)
- Greek (classical)
- Irish Gaelic
- Sámi (Northern)
- Sámi (Inari)
- Sámi (Lule)
- Sámi (Southern)
- Azeri (Latin)
- Sanskrit transliteration
- Tagalog (Filipino)
- Crimean Tatar
- Somali (Latin)
- Ndebele (Northern)
- Ndebele (Southern)
- Arabic transliteration
- Seychelles Creole
- Tok Pisin
- Scottish Gaelic
- Old Norse
Shorter capital `J`
ss01Charlie includes shorter version of the capital letter ‘J’ that sits on the baseline.
ss02Alternative and simpler version of the ampersand.
ss03Alternative set of indication arrows.
ss04Alternative set of indication arrows.
ss05Alternative set of indication arrows.
smcpMost Typotheque fonts implement the Small Caps feature. In Adobe applications you can replace lower case letters with small caps using the keyboard shortcut (⌘ + ⇧ + H), or the OpenType menu.
All Small Capitals
smcp, c2scThere are two methods of applying small capitals. The first one replaces only lower case letters with small caps. The second method, All Small Caps, also replaces capital letters with small caps. It also replaces regular quotation marks, exclamation points, question marks, slashes and usually also numerals with small caps variants.
Case Sensitive Forms
caseWhen the ‘change to caps’ function is applied from within an application (not when text is typed in caps) appropriate case-sensitive forms are automatically applied. Regular brackets, parenthesis, dashes and hyphens are replaced with their capital forms.
Circled numerals and arrows
dligThe discretionary ligature feature creates real arrows when you type the combination -> (right arrow), <- (left arrow), -^ (up arrow) or ^- (down arrow). It also creates enclosed numerals when you type numerals inside parenthesis, and inverse enclosed numerals when you type numerals inside brackets. Discretionary ligatures are off by default in Adobe applications.
ligaStandard ligatures are those which are designed to improve the readability of certain letter pairs. For example, when this feature is activated, typing ‘f’ and ‘i’ will automatically produce the ‘fi’ ligature. Using ligatures does not affect the spelling and hyphenation of your text in any way.
Proportional Old-style Figures
onum, pnumTypotheque fonts contain various styles of numerals within one font. Proportional Lining Figures come standard in all our headline and newspaper fonts. Their proportions are specifically designed to work well with capital letters (for example, in headlines). The proportional Old-style Figures feature changes standard figures to Old-style Figures which work well in running text, as they have the same proportions as lower case letters with their ascenders and descenders.
Tabular Lining Figures
lnum, tnumTabular figures are for use in tables where numerals need to be aligned vertically. Tabular figures are available as a OpenType feature and have a fixed width in all weights. Typotheque fonts include both Lining and Old-style Tabular figures.
Tabular Old-style Figures
onum, tnumTabular figures are for use in tables where numerals need to be aligned vertically. Tabular figures are available as a OpenType feature and have a fixed width in all weights. Typotheque fonts include both Lining and Old-style Tabular figures.
fracTypotheque OpenType fonts already include a number of pre-designed diagonal fractions. The fraction feature allows you to create other fractions quickly and easily.
supsReplaces all styles of figures (old style, tabular, lining) and letters with their superior alternates, which can be used for footnotes, formulas, etc. Superior characters are more legible than mathematically scaled characters, have a similar stroke weight, are spaced more generously, and better complement the rest of the text.
sinfReplaces all styles of figures (old style, tabular, lining) and letters with their inferior alternates, used primarily for mathematical or chemical notation. Inferior characters are more legible than mathematically scaled characters, have a similar stroke weight, are spaced more generously, and better complement the rest of the text