Charlie

Hairline
Hairline Italic
Thin
Thin Italic
Light
Light Italic
Regular
Regular Italic
Medium
Medium Italic
Semibold
Semibold Italic
Bold
Bold Italic
Black
Black Italic
TitulekClick to Edit
Hairline 100px
ÜberschriftClick to Edit
Hairline Italic 100px
UntertitelClick to Edit
Thin 100px
FyrirsögnClick to Edit
Thin Italic 100px
TitoloClick to Edit
Light 100px
EncabezamientoClick to Edit
Light Italic 100px
HírösszefoglalásClick to Edit
Regular 100px
TitreClick to Edit
Regular Italic 100px
BezeichnungClick to Edit
Medium 100px
NadpisClick to Edit
Medium Italic 100px
StichwortClick to Edit
Semibold 100px
RubrikClick to Edit
Semibold Italic 100px
NagłówekClick to Edit
Bold 100px
PrüfungsanweisungenClick to Edit
Bold Italic 100px
OtsikkoClick to Edit
Black 100px
VeerutiitelClick to Edit
Black Italic 100px
In my decade of experience teaching at Type & Media I have seen many students enter the course with no previous experience in type design. Over the eight months of the course they learn the structure of letterforms and the principles of construction that allow them to create well-designed typefaces, (not always terribly original, but convincing executions without obvious mistakes). Having mastered the formal execution of type, they can then move on to think about how to apply their skills. Obviously, creating type that is too closely related to existing models doesn’t justify the effort involved. Or as my Type & Media colleague Erik van Blokland says: “If an existing typeface does the job, there is no reason to make a new one.”Click to Edit
Regular 16px
In my decade of experience teaching at Type & Media I have seen many students enter the course with no previous experience in type design. Over the eight months of the course they learn the structure of letterforms and the principles of construction that allow them to create well-designed typefaces, (not always terribly original, but convincing executions without obvious mistakes). Having mastered the formal execution of type, they can then move on to think about how to apply their skills. Obviously, creating type that is too closely related to existing models doesn’t justify the effort involved. Or as my Type & Media colleague Erik van Blokland says: “If an existing typeface does the job, there is no reason to make a new one.”Click to Edit
Regular Italic 16px
VeerutiitelClick to Edit
Regular 140px
Is there any reason to make new fonts when there are so many already available for downloading? It's time to reflect on motivation to draw new type. While there is no reason to make uninspired new fonts, still, there are typefaces which haven’t been made yet and which we do need.Click to Edit
Regular 0px
In my decade of experience teaching at Type & Media I have seen many students enter the course with no previous experience in type design. Over the eight months of the course they learn the structure of letterforms and the principles of construction that allow them to create well-designed typefaces, (not always terribly original, but convincing executions without obviousClick to Edit
mistakes). Having mastered the formal execution of type, they can then move on to think about how to apply their skills. Obviously, creating type that is too closely related to existing models doesn’t justify the effort involved. Or as my Type & Media colleague Erik van Blokland says: “If an existing typeface does the job, there is no reason to make a new one.”Click to Edit
Regular 0px