Latin

Regular

Parmigiano Text Variable

Миром в узком смысле (в отличие от Вселенной) называется планета Земля с антропоцентрической, человеческой точки зрения, как сообщество людей. Это название используется для описания человеческой истории и опыта, в то время как название «Земля» используется в физическом смысле и для отличия от других планет. Слово «мир», «мировой» противопоставляет глобальную (общечеловеческую) перспективу социальной, региональной и т. п. частной точке зрения; мировое сообщество. Употребляется для более узких сообществ, подчёркивая их сложность, самодостаточность и своеобразие; для культурных сообществ Pax Romana, китайский мир, в переносном смысле — мир моды, мир мебели, литературный мир, в мире животных. Вселенная — не имеющее строгого определения понятие в астрономии и философии. Оно делится на две принципиально отличающиеся сущности: умозрительную (философскую) и материальную, доступную наблюдениям в настоящее время или в обозримом будущем. Если автор различает эти сущности, то, следуя традиции, первую называют Вселенной, а вторую — астрономической Вселенной или Метагалактикой (в последнее время этот термин практически вышел из употребления). В историческом плане для обозначения «всего пространства» использовались различные слова, включая эквиваленты и варианты из различных языков, такие как «космос», «мир», «небесная сфера». Использовался также термин «макрокосмос», хотя он предназначен для определения систем большого масштаба, включая их подсистемы и части. Аналогично, слово «микрокосмос» используется для обозначения систем малого масштаба. Любое исследование или наблюдение, будь то наблюдение физика за тем, как раскалывается ядро атома, ребёнка за кошкой или астронома, ведущего наблюдения за отдалённой галактикой, — всё это наблюдение за Вселенной, вернее, за отдельными её частями. Эти части служат предметом изучения отдельных наук, а Вселенной в максимально больших масштабах, и даже Вселенной как единым целым занимаются астрономия и космология; при этом под Вселенной понимается или область мира, охваченная наблюдениями и космическими экспериментами, или объект космологических экстраполяций — физическая Вселенная как целое.

The Parmigiano Typographic System (named after Parma, the city where Bodoni established his printing house) has the stated ambition to be the most extensive family of fonts ever to have been inspired by Giambattista Bodoni. Parmigiano Text has a delicacy which contrasts with the Piccolo version and it is more solid than the Headline cut. Highly versatile, it is an ideal choice for setting magazines, books or any other long texts whose contents need to be easily accessible. Designed for smooth readability, its sharp and elegant letterforms make for a comfortable, relaxed reading experience, while its thin, horizontal serifs, vertical axes and the round terminations on certain lowercase letters give it a thoroughly contemporary feel. Compared with the continuous text typefaces cut by Bodoni himself, Parmigiano Text has a higher contrast and a less eccentric structure. While it retains a certain distinction, eye-catching details more suited to display purposes have been softened in order to offer a more neutral effect, making it the easiest to use of the Parmigiano fonts. It is recommended for use in sizes of 10 points or larger; sizes smaller than 10 points are adeptly handled by Parmigiano Caption, which was designed for this purpose. <a href="https://www.typotheque.com/articles/parmigiano/">Read more about the development of Parmigiano ▸</a>

Design Concept

The idea most designers have of Giambattista Bodoni’s work is based on high-contrast display typefaces. The Parmigiano family, however, also features different cuts for use in specific point size ranges, an idea rooted in the history of typography and typical for Bodoni’s era. Typical adjustments for fonts to be used at smaller sizes include enlarged counters, shortened ascenders and descenders, thickened serifs, decreased contrast and wider letterspacing, making Parmigiano work optimally across all text sizes.

Parmigiano font family, Optical sizes

Optical Sizes

Each weight of Parmigiano Text includes eight different kinds of numerals. Proportional old-style figures come as default figures in Parmigiano. It also, however, includes lining figures, tabular numerals (both lining and old-style), superior, and inferior numerals. For running text, old-style figures work best; for use in capital setting, use lining figures. When you take a licence for this font, you can choose your own default numeral variant.

Parmigiano Text, numeral styles

Numeral Styles

Armenian

Cyrillic

Abaza

Adyghe

Altai

Avar

Azeri (Cyrillic)

Azeri (Latin)

Balkar

Bashkir

Belarusian

Bosnian

Bulgarian

Buryat

Chechen

Chuvash

Crimean Tatar

Dargin

Dungan

Evenki

Gagauz

Ingush

Kabardian

Kalmyk

Karakalpak

Kazakh

Khakas

Kirghyz

Komi

Koryak

Kumyk

Lezgian

Macedonian

Manci

Mansi

Mari

Mongolian

Montenegrin

Mordvin (Erzya)

Mordvin (Moksha)

Muslim Tat, Latin

Nanai

Nenets

Nogai

Ossetic

Romanian

Russian

Rusyn 

Selkup

Serbian

Shor

Tabasaran

Tajik (Cyrillic)

Talysh, Latin

Tatar

Tsakhur

Turkmen

Tuva

Tuvan

Udmurt

Uighur

Uzbek

Western Mari

Yakut

Georgian

Greek

Greek (modern)

Hebrew

Judeo-Persian

Ladino

Yiddish

Abua

Achinese

Achuar-Shiwiar

Acoli

Adara

Afar

Afrikaans

Alago

Albanian

Alekano

Aleut

Anaang

Ao Naga

Arabic, Chadian Spoken

Aragonese

Aromanian

Asturian

Awak

Aymara

Baka

Balinese

Banda, West Central

Bangwinji

Bapuku

Basque

Batak Toba

Bedawiyet

Bekwarra

Bemba

Bena

Bench

Benga

Bikol

Bilen

Bini

Bislama

Bokobaru

Bube

Buginese

C’Lela

Cahungwarya

Catalan

Cebuano

Chamorro

Chichewa

Chickasaw

Chiduruma

Chiga

Chimborazo Highland Quichua

Chokwe

Chuukese

Colognian

Comorian

Cornish

Corsican

Crioulo, Upper Guinea

Croatian

Czech

Danish

Dawro

Delaware

Dikaka

Dutch

Ebira

Efik

Ekajuk

Ekpeye

Emai-Iuleha-Ora

Embu

English

Esan

Esperanto

Estonian

Ezaa

Faroese

Fijian

Filipino

Finnish

French

Frisian

Friulian

Fuliiru

Galician

Gamo

Ganda

Gbaya (Sudan)

German

Gheg Albanian

Gikuyu

Gofa

Gourmanchéma

Greenlandic

Gusii

Gwich’in

Gyele

Design

Contributors

Engineering

Released

Most Typotheque fonts implement the Small Caps feature. In Adobe applications you can replace lower case letters with small caps using the keyboard shortcut (⌘ + ⇧ + H), or the OpenType menu.

Small caps

There are two methods of applying small capitals. The first one replaces only lower case letters with small caps. The second method, All Small Caps, also replaces capital letters with small caps. It also replaces regular quotation marks, exclamation points, question marks, slashes and usually also numerals with small caps variants.

All small capitals

When the ‘change to caps’ function is applied from within an application (not when text is typed in caps) appropriate case-sensitive forms are automatically applied. Regular brackets, parenthesis, dashes and hyphens are replaced with their capital forms.

Case-sensitive forms

The discretionary ligature feature creates real arrows when you type the combination -> (right arrow), <- (left arrow), -^ (up arrow) or ^- (down arrow). It also creates enclosed numerals when you type numerals inside parenthesis, and inverse enclosed numerals when you type numerals inside brackets. Discretionary ligatures are off by default in Adobe applications.

Circled numerals and arrows

Standard ligatures are those which are designed to improve the readability of certain letter pairs. For example, when this feature is activated, typing ‘f’ and ‘i’ will automatically produce the ‘fi’ ligature. Using ligatures does not affect the spelling and hyphenation of your text in any way.

Standard ligatures

Typotheque fonts contain various styles of numerals within one font. Proportional Lining Figures come standard in all our headline and newspaper fonts. Their proportions are specifically designed to work well with capital letters (for example, in headlines). The proportional Old-style Figures feature changes standard figures to Old-style Figures which work well in running text, as they have the same proportions as lower case letters with their ascenders and descenders.

Proportional old-style figures

Tabular figures are for use in tables where numerals need to be aligned vertically. Tabular figures are available as a OpenType feature and have a fixed width in all weights. Typotheque fonts include both Lining and Old-style Tabular figures.

Tabular lining figures

Tabular old-style figures

To avoid confusion between a zero and a capital O, a slashed zero glyph is available in most Typotheque fonts. It is activated by an OpenType feature.

Slashed zero

In addition to the slashed zero, to avoid a possible confusion between a zero and a capital O, a zero with a dot is available in most Typotheque fonts. It is activated by the Stylistic Set.

Dotted zero

Parmigiano Text is named after Parma, the city where Giambattista Bodoni established his printing house. Compared with the continuous text typefaces cut by Bodoni himself, Parmigiano Text has a higher contrast and a thoroughly contemporary feel.

Parmigiano Text

Пармиджано Текстовый