November Slab Condensed is a functional, no-nonsense addition to a rational, utilitarian family inspired by street signage. Its blocky serifs create stable, robust letterforms that are surprisingly elegant in its thinnest variations, making it well suited to print purposes. Since the robust serifs give blocks of text a denser, darker appearance, many characters had to be adapted to the new stroke structure. This is most visible in the design of the double-storey ‘g’ that reflects the complexity of a slab serif. Other letterforms were designed without serifs in order to maintain suitable letter widths.
Each weight of November Slab Condensed includes nine different kinds of numerals. Proportional lining figures come as default figures in November Slab Condensed. It also, however, includes old-style figures, tabular numerals (both lining and old-style), small caps numerals, superior, inferior, circled and circled inverted numerals. For running text, old-style figures work best; for use in capital setting, use lining figures, and with the small caps, choose the specially designed Small Caps numerals applicable via OpenType layout features. When you take a licence for this font, you can choose your own default numeral variant.
Like the original November, November Slab is also available in three widths and nine weights. The forms of the condensed and compressed versions had to be rethought in the darkest cuts, where there is no room for heavy serifs. The symmetrical serifs used in the light and medium weights were exchanged for unexpected asymmetric forms, making it possible to maintain the serifs’ weight and size. In its narrow versions November Slab is suitable for headlines and short texts that require character and radiate confidence. The normal-width version of November Slab can also be used for longer texts, its substantial serifs leading the reader forward.
Symbols & Arrows
November Slab includes a collection of transportation and travel-related signs, symbols, icons, and various sets of arrows. We are continuing to work on expanding this collection of icons for other uses.
The November typeface can be personalised with alternative forms of letters available as Stylistic Sets, controllable via OpenType layout feature settings in your app, or you can build a custom version of the fonts by using these stylistic alternates in a default position.
November Type System
The November Type system consists of ten font families, each available in nine weights, and countless language versions. It all started with November, a rational, utilitarian typeface inspired by street signs, and it continued with October, a soft and rounded typeface, each available in three logical widths. November Slab is a robust slab serif version that works well in headlines and shorter text, and finally there is November Stencil, useful for large text and display, and providing opportunities to work with chromatic typography.
- Tajik (Cyrillic)
- Mordvin (Moksha)
- Azeri (Cyrillic)
- Mordvin (Erzya)
- Kildin Sami
- Greek (modern)
- Greek (classical)
- Irish Gaelic
- Sámi (Northern)
- Sámi (Inari)
- Sámi (Lule)
- Sámi (Southern)
- Azeri (Latin)
- Sanskrit transliteration
- Tagalog (Filipino)
- Crimean Tatar
- Somali (Latin)
- Ndebele (Northern)
- Ndebele (Southern)
- Arabic transliteration
- Seychelles Creole
- Tok Pisin
- Scottish Gaelic
- Old Norse
Single storey `a`
ss01Alternative version of the lower case letter ‘a’, including its accented variants.
Single storey `g`
ss04Alternative version of the lower case letter ‘g’, including its accented variants.
Number 3 with flat top
ss02This stylistic set replaces the standard round numberal 3 with a flat top variant
Removing ascender serif
caltWhen the ‘ľ’ or ‘ď’ (frequent letters in Slovak) are followed by the character with a ascender, the following letter will be replaced by a version without the top serif.
smcpMost Typotheque fonts implement the Small Caps feature. In Adobe applications you can replace lower case letters with small caps using the keyboard shortcut (⌘ + ⇧ + H), or the OpenType menu.
All Small Capitals
smcp, c2scThere are two methods of applying small capitals. The first one replaces only lower case letters with small caps. The second method, All Small Caps, also replaces capital letters with small caps. It also replaces regular quotation marks, exclamation points, question marks, slashes and usually also numerals with small caps variants.
Case Sensitive Forms
caseWhen the ‘change to caps’ function is applied from within an application (not when text is typed in caps) appropriate case-sensitive forms are automatically applied. Regular brackets, parenthesis, dashes and hyphens are replaced with their capital forms.
Circled numerals and arrows
dligThe discretionary ligature feature creates real arrows when you type the combination -> (right arrow), <- (left arrow), -^ (up arrow) or ^- (down arrow). It also creates enclosed numerals when you type numerals inside parenthesis, and inverse enclosed numerals when you type numerals inside brackets. Discretionary ligatures are off by default in Adobe applications.
ligaStandard ligatures are those which are designed to improve the readability of certain letter pairs. For example, when this feature is activated, typing ‘f’ and ‘i’ will automatically produce the ‘fi’ ligature. Using ligatures does not affect the spelling and hyphenation of your text in any way.
Proportional Old-style Figures
onum, pnumTypotheque fonts contain various styles of numerals within one font. Proportional Lining Figures come standard in all our headline and newspaper fonts. Their proportions are specifically designed to work well with capital letters (for example, in headlines). The proportional Old-style Figures feature changes standard figures to Old-style Figures which work well in running text, as they have the same proportions as lower case letters with their ascenders and descenders.
Tabular Lining Figures
lnum, tnumTabular figures are for use in tables where numerals need to be aligned vertically. Tabular figures are available as a OpenType feature and have a fixed width in all weights. Typotheque fonts include both Lining and Old-style Tabular figures.
Tabular Old-style Figures
onum, tnumTabular figures are for use in tables where numerals need to be aligned vertically. Tabular figures are available as a OpenType feature and have a fixed width in all weights. Typotheque fonts include both Lining and Old-style Tabular figures.
fracTypotheque OpenType fonts already include a number of pre-designed diagonal fractions. The fraction feature allows you to create other fractions quickly and easily.
supsReplaces all styles of figures (old style, tabular, lining) and letters with their superior alternates, which can be used for footnotes, formulas, etc. Superior characters are more legible than mathematically scaled characters, have a similar stroke weight, are spaced more generously, and better complement the rest of the text.
sinfReplaces all styles of figures (old style, tabular, lining) and letters with their inferior alternates, used primarily for mathematical or chemical notation. Inferior characters are more legible than mathematically scaled characters, have a similar stroke weight, are spaced more generously, and better complement the rest of the text
Bulgarian CyrillicBulgarian readers prefer to set text in a variation of Cyrillic that differs from the standard Cyrillic by using shapes of letters based on cursive handwriting, where letters are easier to tell apart. Typotheque fonts use standard Cyrillic forms as default, and Bulgarian Cyrillic is applied when the text is tagged as Bulgarian. When the Localised forms feature is not available, you can also apply the same forms by using a Stylistic Set.
Serbian & Macedonian CyrillicSerbian and Macedonian Cyrillic has different preferred shapes for some italic letters, which differ from the standard Cyrillic. Typotheque fonts use standard Cyrillic forms as default, and Serbian Cyrillic italic is applied when the text is tagged as Serbian Or Macedonian. When the Localised forms feature is not available, you can also apply the same forms by using a Stylistic Set.