New Faces (Bibliography)
The bibliography of Emily King’s doctoral thesis which focuses on typeface design in the United States, England and the Netherlands between 1987 and 1997.
A thesis submitted in partial fulfilment of the requirements of Kingston University for the degree of Doctor of Philosophy (1999)
Abstract
Introduction
(i) Historiography
(ii) Typographic History in the Context of Broader Design Historical Models
Chapter One: Technological and Industrial Change: Setting the Scene
Mapping Contemporary Type Design
Chapter Two: The West Coast
Chapter Three: The East Coast
Chapter Four: London
Chapter Five: The Netherlands
Conclusion
Bibliography
List of Interviews
Bibliography
Books
Aicher, Otl, 1988, Typographie, Druckhaus Maack, Germany
Aldersey Williams, Hugh, 1990, Cranbrook Design: the new discourse, Rizzoli, New York
Barthes, Roland, 1977, Images Music Text, (trans. Stephen Heath), Fontana Press, London
Barthes, Roland, 1987, Criticism and Truth, (trans. Katrine Pilcher Keuneman), Athlone Press, London
Baudrillard, Jean, 1996, The System of Objects, Verso, London
Berkvens-Stevelinck, C., Bots, H., Hoftijzer, P.G. & Lankhorst, O.S. eds., 1992, The Dutch Republic as the Centre of the European Book Trade, E.J. Brill, Leiden
Berman, Marshall, 1982, All that's Solid Melts into Air, Simon and Schuster, New York
Bierut, Michael, Drentell, William, Heller, Steven & Holland, D.K. eds., 1994, Looking Closer: Critical Writings on Graphic Design, Allworth Press, New York
Bierut, Michael, Drentell, William, Heller, Steven & Holland, D.K. eds., 1997, Looking Closer 2: Critical Writings on Graphic Design, Allworth Press, New York
Bigelow, Charles, Duensing, Paul & Gentry, Linnea eds., 1989, Fine Print on Type, Lund Humphries, London
Binns, Betty, 1989, Better Type, Watson Guptill, New York
Blackwell, Lewis, 1992, 20th Century Type, Laurence King Publishing, London
Blackwell, Lewis, 1995, The End of Print: The Graphic Design of David Carson, Laurence King Publishing, London
Blazwick, Iwona ed., 1989, A Situationist Scrapbook, Verso, London
Booker, Christopher, 1992, The Neophiliacs: the revolution in English life in the fifties and sixties, Pimlico, London
Boyer, Christine M., 1996, CyberCities, Princeton Architectural Press, Princeton
Brewer, R., 1973, Eric Gill: The Man Who Loved Letters, Muller, London
Brierley, Sean, 1995, The Advertising Handbook, Routledge, London
Broos, Kees & Hefting, Paul, 1993, Dutch Graphic Design, Phaidon, London
Carter, Sebastian, 1987, Twentieth Century Type Designers, Trefoil, London
Cave, Roderick, 1971, The Private Press, Faber and Faber, London
Chambers, Iain, 1986, Popular Culture: the Metropolitan Experience, Methuen, London
Cooke, Lynne & Wollen, Peter eds., 1995, Visual Display: Culture Beyond Appearances, Bay Press, Seattle
Cringely, Robert X., 1992, Accidental Empires, Penguin Books, Harmondsworth
De Mare, Heidi & Vos, Anna eds., 1993, Urban Rituals in Italy and the Netherlands, Van Gorcum, The Netherlands
The Design Museum, 1991, The Dutch PTT 1920-90, The Design Museum, London
De Vinne, Theodore, 1885, Historic Printing Types, The Grolier Club, New York
Docker, John, 1994, Postmodernism and Popular Culture, Cambridge University Press, Cambridge
Dreyfus, John, 1952, The Work of Jan Van Krimpen, Sylvan Press, London
Du Gay, Paul, Hall, Stuart, Janes, Linda, Mackay, Hugh & Negus, Keith eds., 1997, Doing Cultural Studies: The Story of the Sony Walkman, Sage Publications, London
Du Gay, Paul ed., 1997, Production of Culture, Cultures of Production, Sage Publications, London
Dwiggins, W.A., 1928, Layout in Advertising, New York
Eagleton, Terry, 1991, Ideology: an introduction, Verso, London
Eisenstein, Elizabeth, 1983, The Printing Revolution in Early Modern Europe, Cambridge University Press, Cambridge
Emigre, 1993, Emigre: Graphic Design into the Digital Realm, Booth-Clibborn Editions, London
Ewen, Stewart, 1988, All Consuming Images: the Politics of Style in Contemporary Culture, Basic Books, New York
Febvre, Lucien & Martin, Henri-Jean, 1976, The Coming of the Book, Verso, London
Ford, Boris ed., 1988, Modern Britain: The Cambridge Cultural History, Cambridge University Press, Cambridge
Forty, Adrian, 1989, Objects of Desire: Design and Society 1750-1980, Thames and Hudson, London
Foster, Hal ed., 1983, The Anti-Aesthetic, Bay Press, Seattle
Friedman, Dan, 1994, Radical Modernism, Yale University Press, New Haven
Friedman, Mildred ed., 1989, Graphic Design in America, Walker Art Center, Minneapolis
Frith, Simon, 1983, Sound Effects: Youth, Leisure, and the Politics of Rock n' Roll, Constable, London
Frith, Simon & Horne, Howard, 1987, Art into Pop, Methuen, New York
Frith, Simon, 1988, Music for Pleasure, Polity Press, London
Frutiger, Adrian, 1980, Type Sign Symbol, ABC Editions, Zurich
Fuller, Matthew ed., 1994, Unnatural: Techno-Theory for a Contaminated Culture, Underground, London
Garland, Ken, 1996, A Word in Your Eye, Department of Typography and Graphic Communication, University of Reading
Giedion, Siegfried, 1969, Mechanization Takes Command, Norton, New York
Glaser, Milton, 1973, Milton Glaser: Graphic Design, Penguin Books, Harmondsworth
Glauber, Barbara ed., 1993, Lift and Separate, Herb Lubalin Study Center for Design, New York
Gray, Nicolette, 1976, Nineteenth-Century Ornamented Typefaces, Faber and Faber, London
Handy, Charles, 1991, The Age of Unreason, 2nd edition, Arrow Business Books, London
Handy, Charles, 1994, The Empty Raincoat, Hutchinson, London
Handy, Charles, 1995, Beyond Uncertainty: the Changing World of Organisations, Hutchinson, London
Haraway, Donna, 1991, Simians, Cyborgs, and Women, Free Association Books, London
Harvey, David, 1989, The Condition of Postmodernity, Basil Blackwell, Oxford
Hebdige, Dick, 1979, Subculture: the Meaning of Style, Methuen & Co, London
Hebdige, Dick, 1988, Hiding in the Light, Routledge, London
The Herb Lubalin Study Center for Design, 1998, Blackletter Type and National Identity, The Herb Lubalin Study Center for Design, New York
Heller, Steven & Fili, Louise, 1994, Dutch Moderne, Chronicle Books, San Francisco
Hewison, Robert, 1986, Too Much, Methuen, London
Hill, Dave, 1986, Designer Boys and Material Girls: Manufacturing the 80s Pop Dream, Blandford Press, United Kingdom
Hogben, Lancelot, 1949, From Cave Painting To Comic Strip, Max Parrish & Co., London
Hollis, Richard, 1994, Graphic Design: a Concise History, Thames and Hudson, London
Huygen, Frederique, 1989, British Design: Image and Identity, Thames and Hudson, London
Huyssen, Andreas, 1986, After the Great Divide: Modernism, Mass Culture and Post-modernism, Macmillan, London
Ind, Nicholas, 1990, The Corporate Image, Kogan Page, London
Johnston, P., 1969, Edward Johnston, Faber, London
Jobling, Paul, & Crowley, David, 1996, Graphic Design: Reproduction and Representation Since 1800, Manchester University Press, Manchester
King, Anthony D. ed., 1991, Culture Globalization and the World-System, Macmillan, United Kingdom
Kinross, Robin, 1992, Modern Typography, Hyphen Press, London
Kinross, Robin, 1994, Fellow Readers, Hyphen Press, London
Klein, Manfred, Schwemer-Scheddin, Yvonne & Spiekermann, Erik, 1991, T&T: Type and Typographers, Architecture Design and Technology Press, London
Krauss, Rosalind E.,1985, The Originality of the Avant-Garde and other Modernist Myths, M.I.T. Press, Cambridge, Massachusetts
Landow, George P., 1992, Hypertext: The Convergence of Contemporary Critical Theory and Technology, John Hopkins University Press, John Hopkins University
Lawson, Alexander, 1990, Anatomy of a Typeface, Hamish Hamilton, London
Levitt, Theodore, 1983, The Marketing Imagination, Collier Macmillan, London
Levy, Steven, 1994, Insanely Great, Penguin, Harmondsworth
Lister, Margin ed., 1995, Photography in the Digital Age, Routledge, London
Lupton, Ellen & Miller, J. Abbott, 1996, Design; Writing; Research, Kiosk, New York
Lupton, Ellen, 1996, Mixing Messages, Thames and Hudson, London
McLean, Ruari, 1975, Jan Tschichold: Typographer, Lund Humphries, London
McLean, Ruari ed., 1995, Typographers on Type, Lund Humphries, London
McDermott, Catherine, 1988, Streetstyle: British Design in the '80s, London Design Council, London
McGuigan, Jim, 1996, Culture and the Public Sphere, Routledge, London
McLuhan, Marshall, 1964, Understanding Media, Routledge & Kegan Paul Limited, United Kingdom
McMurtrie, Douglas C., 1943, The Book: the Story of Printing and Bookmaking, Oxford University Press, New York
McRobbie, Angela ed., 1989, Zoot Suits and Second Hand Dresses, Macmillan, London
Margolin, Victor ed., 1989, Design Discourse, University of Chicago Press, Chicago
Meggs, P.B., 1983, A History of Graphic Design, Penguin, Harmondsworth
Moran, James, 1971, Stanley Morison: his Typographic Achievement, Lund Humphries, London
Mores, Edward Rowe (edited and with introduction and notes by Harry Carter & Christopher Ricks), 1961, A dissertation upon English Typographical Founderies (1778), with a catalogue and specimen of the typefoundry of John James (1782), Oxford Bibliographical Society, Oxford
Morison, Stanley & Jackson, Holbrook, 1923, A Survey of Printing: History and Practice, published at the office of The Fleuron, London
Morison, Stanley, 1925, The Art of The Printer, Ernest Benn, London
Morris, William, 1934, The Kelmscott Press, Central School of Arts and Crafts, London
Mort, Frank, 1996, Cultures of Consumption, Routledge, London
Moxon, Joseph (Herbert Davis & Harry Carter eds.), 1958, Mechanick Exercises on the Whole Art of Printing 1683-4, Oxford University Press, Oxford
Muller-Brockman, Joseph, 1971, A Visual History of Communication, Verlag A. Niggli, Zurich
Nava, Mica, Blake, Andrew, MacRury, Iain & Richards, Barry eds., 1997, Buy This Book: Studies in Advertising and Consumption, Routledge, London
Negroponte, Nicholas, 1995, Being Digital, Hodder and Stoughton, London
Neville, Richard, 1995, Hippie Hippie Shake, Bloomsbury, London
O'Reighan, Vulva ed., 1994, This Rimy River: Vaughan Oliver and v23 Graphic Works 1988-94 (peep), 4A.D., London
Olins, Wally, 1989, Corporate Identity, Thames and Hudson, London
Owen, William, 1991, Magazine Design, Laurence King Publishing, London
Pevsner, Nikolaus, 1960, Pioneers of Modern Design, Penguin, Harmondsworth
Pevsner, Nikolaus, 1968, The Sources of Modern Architecture and Design, Thames and Hudson, London
Poggioli, Renato, 1968, The Theory of the Avant-Garde, Harvard University Press, Cambridge, Massachusetts
Postman, Neil, 1993, Technopoly: The Surrender of Culture to Technology, Vintage Books, New York
Poynor, Rick, 1991, Typography Now, Booth-Clibborn Editions, London
Poynor, Rick, 1996, Typography Now Two, Booth-Clibborn Editions, London
Poynor, Rick, 1998, Design Without Boundaries, Booth-Clibborn Editions, London
Pulos, Arthur, 1988, The American Design Adventure 1940-75, M.I.T. Press, Cambridge, Massachusetts
Purvis, Alston W., 1992, Dutch Graphic Design 1918-1945, Van Nostrand Reinhold, New York
Reed, Talbot Baines, 1887, A History of the Old English Letter Foundries, London
Rimmer, Dave, 1985, Like Punk Never Happened, Faber and Faber, London
Romanyshyn, R.D., 1989, Technology as Symptom and Dream, Routledge, London
Ronnell, Avital, 1989, The Telephone Book, University of Nebraska Press, Nebraska
Rookledge, Gordon, 1990, Rookledge's International Typefinder, Sarema Press, London
Rose, Margaret A., 1991, The Post-Modern and the Post-Industrial, Cambridge University Press, Cambridge
Ross, Andrew, 1991, Strange Weather, Verso, New York
Ross, Andrew & Penley, Constance eds., 1991, Technoculture, University of Minnesota, Minnesota
Roszak, Theodore, 1986, The Cult of Information, Lutterworth Press, Cambridge
Rouard Snowman, Margot, 1992, Museum Graphics, Thames and Hudson, London
Ruder, Emile, 1967, Typography: a Manual of Design, Tiranti, London
Sassoon, Rosemary ed., 1993, Computers and Typography, Intellect Books, Oxford
Savage, Jon, 1991, England's Dreaming, Faber and Faber, London
Schama, Simon, 1987, The Embarrassment of Riches, Collins, London
Seago, Alex, 1995, Burning the Box of Beautiful Things, Oxford University Press, Oxford
Shipcott, Grant, 1980, Typographical Periodicals Between the Wars, Oxford Polytechnic Press, Oxford
Smeijers, Fred, 1996, Counterpunch, Hyphen Press, London
Snyder, Gertrude & Peckolick, Alan, 1985, Herb Lubalin: Art Director, Graphic Designer and Typographer, American Showcase Inc., New York
Sparke, Penny, 1986, An Introduction to Design and Culture in the Twentieth Century, Unwin Hyman, London
Sparke, Penny, 1995, Any Colour as Long as its Pink, Pandora, London
Spencer, Herbert, 1968, The Visible Word, Royal College of Art, London
Spencer, Herbert, 1969, Pioneers of Modern Typography, Lund Humphries, London
Spencer, Herbert ed., 1987, The Liberated Page, Lund Humphries, London
Spiekermann, Erik & Ginger, E.M., 1993, Stop Stealing Sheep and Find Out How Type Works, Adobe Press, Mountain View, California
Stedelijk Museum, 1986, Design and Industry in the Netherlands 1850-1950, Stedelijk Museum, Amsterdam
Stone, Merlin, Davies, Derek & Bond, Alison, 1995, Direct Hit: Direct Marketing with an Edge, Pitman Publishing, London
Strinati, Dominic, 1995, An Introduction to Theories of Popular Culture, Routledge, London
Tebbel, John & Zuckerman, Mary Ellen, 1991, The Magazine in America 1741-1990, Oxford University Press, Oxford
Teitelbaum, Matthew ed., 1992, Montage and Modern Life, M.I.T. Press, Cambridge, Massachusetts
Tenner, Edward, 1997, Why Things Bite Back: Predicting the Problems of Progress, Fourth Estate, London
Toffler, Alvin, 1980, The Third Wave, Collins, London
Tracy, Walter, 1988, The Typographic Scene, Gordon Fraser, London
Tschichold, Jan, (trans. Ruari McLean),1995, The New Typography, University of California Press, California
Tumon, Myron C. ed., 1992, Literacy On Line - the Promise and Peril of Reading and Writing with Computers, University of Pittsburgh Press, Pittsburgh
Turkle, Sherry, 1984, The Second Self: Computers and the Human Spirit, Simon and Schuster, New York
Turkle, Sherry, 1996, Life On Screen, Simon and Schuster, New York
Twitchell, James B., 1992, Carnival Culture: The Trashing of Taste in America, Columbia University Press, New York
Updike, D.B., 1922, Printing Types: their History, Forms and Use, Vols. I &II, Harvard University Press, Cambridge, Massachusetts
Venturi, Robert & Scott Brown, Denise, 1972, Learning from Las Vegas, M.I.T. Press, Cambridge, Massachusetts
Wajcman, Judy, 1991, Feminism Confronts Technology, Polity Press, Cambridge
Wallis, Lawrence W., 1990, Modern Encyclopaedia of Typefaces 1960-90, Lund Humphries
Wallis, Lawrence W., 1993, Typomania, Severnside Printers Limited, United Kingdom
Warde, Beatrice, 1935, Typefaces Old and New, London Bibliographical Society, Oxford University Press, Oxford
Warde, Beatrice, 1955, The Crystal Goblet, The Sylvan Press, London
Washburn, Katherine & Thornton, John eds., 1996, Dumbing Down, Norton, New York
Williamson, Judith, 1978, Decoding Advertising, Marion Boyars, London
Williamson, Judith, 1987, All Consuming Passions, Marion Boyars, London
Wolff, Janet, 1981, The Social Production of Art, Macmillan Press, London
Wozencroft, Jon, 1988, The Graphic Language of Neville Brody, Thames and Hudson, London
Wozencroft, Jon, 1994, The Graphic Language of Neville Brody 2, Thames and Hudson, London
Zapf, Hermann, 1987, Hermann Zapf and his Design Philosophy, Society of Typographic Arts, Chicago
Zuboff, Shoshana, 1988, In the Age of the Smart Machine, Heinemann, Oxford
Magazine Articles
Benedek, András, Not So Quick on the QuickDraw, pp.86-87, Eye, 15/1994
Berry, Turner W., Talbot Baines Reed 1852-1893: Typefounder, Author, Bibliographer, British and Colonial Printer, 28 March, 1952
Byrne, Chuck, Print's New Face, Print, September/October, 1991
Caflisch, Max, Some peaks in type design in the Netherlands, Gravisie 14, Van Boekhoven-Bosch bv grafische industrie, Utrecht, 1989
Carter, Matthew, The Evolution of American Typography, pp.56-64, Design Quarterly, No.148, 1990
Codrington, Andrea, Changing Identities (Laurie Haycock Makela), pp.64-68, I.D., September/October, 1993
Coyne, Dick, Matthew Carter, pp.86-93, Communication Arts, January/February, 1989
Craig, Robert, Ideological Aspects of Publication Design, Design Issues, pp.18-27, Vol.VI, No.2, 1997
Cullen, Moira, The Space between the Letters, pp. 70-77, Eye, 19/1995
Emigre, Do You Read Me?, (Special Type Issue), No.15, 1990
Forde, Gerard, The Designer Unmasked, (Jan van Toorn), pp.57-68, Eye, 2/1991
Frere-Jones, Tobias, Towards the Cause of Grunge, pp.31-34, Zed, 1994
Heller, Steven, Cult of the Ugly, Eye, 9/1993
Heller, Steven, The Man Who Invented Graphic Design, (W.A. Dwiggins), pp.26-35, Eye, 23/1996
Keedy, Jeffrey, The Rules of Typography According to (Crackpots) Experts, pp.48-55, Eye, 11/1993
Keedy, Jeffrey, Zombie Modernism, pp.17-39, Emigre, No.34, 1995
Kinross, Robin, Technology, Aesthetics and Type, pp.36-41, Eye, 3/1991
Kinross, Robin, Conversation with Richard Hollis, Information Design Journal, 5/1, 1992
Kinross, Robin, The Digital Wave, pp.26-39, Eye, 7/1992
Kinross, Robin, Conversation with Erik Spiekermann, pp.29-46, Information Design Journal, 7/1, 1993
Kinross, Robin, Critical Spirit of a Telephone Book, pp.6-7, Eye, 16/1995
Kuitenbrouwer, Carel, The New Sobriety, pp.52-61, Eye, 17/1995
Lupton, Ellen & Miller, J. Abbott, Deconstruction and Graphic Design: History meets Theory, Visible Language, 28.4, 1994
McCoy, Katherine, Reconstructing Dutch Graphics, pp.38-43, I.D., March/April 1984
Miller, J. Abbott, Fabien Baron, pp.10-16, Eye, 18/1995
Mills, Mike, The (Layered) Vision Thing, pp.8-9, Eye, 8/1992
Poynor, Rick, American Gothic, pp.64-67, Eye, 6/1992
Poynor, Rick, Jon Barnbrook, pp.10-16, Eye, 15/1994
Quay, David & Sack, Freda, From Bauhaus to Font Haus, pp.64-68, Eye, 11/1993
Rea, Peter, Dan Friedman, pp.10-16, Eye, 14/1994
Reed, Talbot Baines, Old and New Fashions in Typography, Royal Society of the Arts Journal, 18 April, 1890
Rock, Michael, Beyond Typography, pp.26-35, Eye 15/1994
Rock, Michael, The Designer as Author, pp.44-53, Eye, 20/1996
Rubinstein, Rhonda, Beyond Tulipmania: 10 Dutch Designers on the Edge, pp.110-134, Print, November/December, 1991
Spiekermann, Erik, Matthew Carter, pp.10-16, Eye 11/1993
Stone, Sumner, The Type Craftsman in the Computer Era, Print, March/April, 1989
Unger, Gerard, Dutch Landscape with Letters, Gravisie 14, Van Boekhoven-Bosch bv grafische industrie, Utrecht, 1989
Williamson, Judith, Inflatable Intangibles, pp.7-10, Eye, 28/1998
Unpublished Theses
Bigham, Julia, 1989, The Designers and Art Directors Association in the 1960s, A Reflection of Changes in Graphic Design and Advertising, unpublished M.A. thesis, Royal College of Art, London
Mallison, David Walker, 1976, Henry Lewis Bullen and the ATF Library, unpublished doctoral thesis, Columbia University, New York
Twemlow, Alice, 1996, Ready, Steady, Go!: the evolution of a televisual pop-graphic language 1963-66, unpublished M.A. thesis, Royal College of Art
Related Articles
- New Faces (abstract): type design in the first decade of device-independent digital typesetting (1987-1997)
- New Faces (Chapter Five: The Netherlands)
- New Faces (Chapter Four: London)
- New Faces (Chapter One: Technological and Industrial Change: Setting the Scene)
- New Faces (Chapter Three: The East Coast)
- New Faces (Chapter Two: The West Coast)
- New Faces (Historiography)
- New Faces (Introduction)
- New Faces (List of Interviews)
- New Faces (Mapping Contemporary Type Design)
- New Faces (Typographic History in the Context of Broader Design Historical Models)
Other Articles By Emily King
- Spot the difference
- The Last Supper
- Thirty-six point Gorilla
- Taking Credit: Film title sequences, 1955-1965 / 1 Contents
- Taking Credit: Film title sequences, 1955-1965 / Acknowledgements
- Taking Credit: Film title sequences, 1955-1965 / 4 Abstracting the Essence
- Taking Credit: Film title sequences, 1955-1965 / 2 Introduction
- Taking Credit: Film title sequences, 1955-1965 / 3 Visions in Motion
- Taking Credit: Film title sequences, 1955-1965 / 5 Spiralling Aspirations: Vertigo, 1958
- Taking Credit: Film title sequences, 1955-1965 / 6: Musical Statues: Spartacus, 1960
- Taking Credit: Film title sequences, 1955-1965 / 7: Sex and Typography: From Russia With Love, 1963
- Taking Credit: Film title sequences, 1955-1965 / 8 Popcorn and Pop graphics, What’s New Pussycat?, 1965
- Taking Credit: Film title sequences, 1955-1965 / 9 Conclusion
- Taking Credit: Film title sequences, 1955-1965 / 10 Bibliography
- New Faces (abstract): type design in the first decade of device-independent digital typesetting (1987-1997)
- New Faces (Introduction)
- New Faces (Historiography)
- New Faces (Typographic History in the Context of Broader Design Historical Models)
- New Faces (Chapter One: Technological and Industrial Change: Setting the Scene)
- New Faces (Mapping Contemporary Type Design)
- New Faces (Chapter Two: The West Coast)
- New Faces (Chapter Three: The East Coast)
- New Faces (Chapter Four: London)
- New Faces (Chapter Five: The Netherlands)
- New Faces (Conclusion)
- New Faces (List of Interviews)