An article on the origins of the Georgian writing script, is historical development, printing traditions, and Georgian typography today.

At a local event in Tbilisi, Typotheque launched a large collection of new Georgian fonts designed and produced in collaboration with local designers, along with an exhibition and a book.

A new version of the Typotheque website, which will allow us to focus on what we do best — designing fonts

Creating a new language version of a typeface is akin to a translation, whereby purpose, intention and respect are as important as proportion and design.

Three years after graduating from Type & Media, Michelangelo Nigra completed his thesis project, which is full of surprising type details that give text a unique character and liveliness.

An affable font family with fluid stroke structure that communicates in Latin, Greek, Cyrillic, Arabic, Hebrew, Thai, Georgian, Armenian and Devanagari.

As a company that develops fonts, we’re interested in learning how people write. In particular, we want to know more about how people around the world write by hand and how they perceive handwriting by others, a topic on which we have found no current literature.

The story of Devanagari type from early print to the digital age, as Indian print culture both sparked and responded to intense socio-political change and constant technological innovation.

We created a survey to evaluate different graphic variants of Devanagari characters, interviewing hundreds of people gathering data and recommendations not only on the recognisability of each form of the Devanagari characters, but also on the preferences of readers and users.

A humanist monospaced typeface with calligraphic traits, that bringing regularity and warmth into a block of text that aligns vertically.

Typotheque has designed a set of new fonts for the largest public broadcaster in Norway, as part of its brand refresh. The fonts respond to the client’s needs, creating a tool to strengthen its identity.

Typotheque has been working on an extensive historical research project, based on the development in Devanagari printing, combined with a survey of the contemporary regional preferences of Devanagari readers.