This is a database that captures the writing of over half a thousand contemporary users of the Latin script, across 46 countries and 20 languages.

This final part describes the influence of Latin script on other writing systems, namely Cyrillic and Greek, and especially on their cursiveness.

This fourth part reveals other traditions of cursive writing in Central and Northern Europe, much different from Western Europe models previously discussed.

This third part explores the movement of certain models from North America to South America and then to Western Europe, as well as their often lasting entrenchment.

Do we prefer our own handwriting? We conducted a large scale empirical study on how familiarity affects the perception of handwritten text, measuring implicit biases that show people favour text resembling their own style.

This second part offers an overview of new approaches developed in Great Britain during the 20th century, inspired by writing history or modern pragmatism.

The opening essay of series of five articles about the many aspects of handwriting, from the late 19th century to the present day, examining the emergence of new handwriting schemes in Europe and the United States, developed for the sake of public health, or for business.

The article was triggered by the discussions with the late Gerard Unger about the nature of originality in the type design industry, highlighting the importance of historical continuity in creating new works while examining the notions of originality and the boundaries between interpretation and plagiarism.

Typotheque tackled the unprecedented task of designing a comprehensive set of fonts for South Asia.

The article explores the rich tradition of Malayalam script and its evolution in the face of modern technologies. It delves into the challenges and innovations in adapting the script to digital platforms while preserving its cultural heritage.

This essay explores socio-linguistic landscape of northeast of India and adoption of two minority writing scripts, Meitei Mayek and Ol Chiki, enjoying significant growth in popularity in recent years, establishing distinct identity of their users.

An article on the origins of the Georgian writing script, is historical development, printing traditions, and Georgian typography today.