Exploring the complexities of tactile legibility and optimal spacing for enhanced reading experiences. Through research and collaboration with international organisations, Zed Braille emerges as a finely tuned typeface, bridging diverse user needs and international standards.

Sans-serif vs. serif fonts for legibility: a contentious debate without much evidence. Recent research challenges conventional wisdom.

A lab-based experiment developed to empirically improve and test the distance-reading legibility of new typeface, tested on visually impaired readers.

This is a database that captures the writing of over half a thousand contemporary users of the Latin script, across 46 countries and 20 languages.

This final part describes the influence of Latin script on other writing systems, namely Cyrillic and Greek, and especially on their cursiveness.

This fourth part reveals other traditions of cursive writing in Central and Northern Europe, much different from Western Europe models previously discussed.

This third part explores the movement of certain models from North America to South America and then to Western Europe, as well as their often lasting entrenchment.

Do we prefer our own handwriting? We conducted a large scale empirical study on how familiarity affects the perception of handwritten text, measuring implicit biases that show people favour text resembling their own style.

This second part offers an overview of new approaches developed in Great Britain during the 20th century, inspired by writing history or modern pragmatism.

The opening essay of series of five articles about the many aspects of handwriting, from the late 19th century to the present day, examining the emergence of new handwriting schemes in Europe and the United States, developed for the sake of public health, or for business.

The article was triggered by the discussions with the late Gerard Unger about the nature of originality in the type design industry, highlighting the importance of historical continuity in creating new works while examining the notions of originality and the boundaries between interpretation and plagiarism.

Typotheque tackled the unprecedented task of designing a comprehensive set of fonts for South Asia.