EssaysEssays · 29 November 2004 · English · 58 words
Taking Credit: Film title sequences, 1955-1965 / 1 Contents
by Emily King
Emily King’s contents (part two of ten) for her dissertation for the V&A/RCA M.A. Course in the History of Design. The dissertation focuses on the relationship between graphic design and film in the middle of the past century.
Contents
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3 Visions in Motion: the American graphic designer and modernism.
4 Abstracting the Essence: The Man With A Golden Arm, 1955
5 Spiralling Aspirations: Vertigo, 1958
6 Musical Statues: Spartacus, 1960
7 Sex and Typography: From Russia With Love, 1963
Previously unpublished. Written as dissertation for V&A/RCA M.A. Course in the History of Design
Related Articles
- Taking Credit: Film title sequences, 1955-1965 / 10 Bibliography
- Taking Credit: Film title sequences, 1955-1965 / 2 Introduction
- Taking Credit: Film title sequences, 1955-1965 / 3 Visions in Motion
- Taking Credit: Film title sequences, 1955-1965 / 4 Abstracting the Essence
- Taking Credit: Film title sequences, 1955-1965 / 5 Spiralling Aspirations: Vertigo, 1958
- Taking Credit: Film title sequences, 1955-1965 / 6: Musical Statues: Spartacus, 1960
- Taking Credit: Film title sequences, 1955-1965 / 7: Sex and Typography: From Russia With Love, 1963
- Taking Credit: Film title sequences, 1955-1965 / 8 Popcorn and Pop graphics, What’s New Pussycat?, 1965
- Taking Credit: Film title sequences, 1955-1965 / 9 Conclusion
- Taking Credit: Film title sequences, 1955-1965 / Acknowledgements
Other Articles By Emily King
- Spot the difference
- The Last Supper
- Thirty-six point Gorilla
- Taking Credit: Film title sequences, 1955-1965 / Acknowledgements
- Taking Credit: Film title sequences, 1955-1965 / 4 Abstracting the Essence
- Taking Credit: Film title sequences, 1955-1965 / 2 Introduction
- Taking Credit: Film title sequences, 1955-1965 / 3 Visions in Motion
- Taking Credit: Film title sequences, 1955-1965 / 5 Spiralling Aspirations: Vertigo, 1958
- Taking Credit: Film title sequences, 1955-1965 / 6: Musical Statues: Spartacus, 1960
- Taking Credit: Film title sequences, 1955-1965 / 7: Sex and Typography: From Russia With Love, 1963
- Taking Credit: Film title sequences, 1955-1965 / 8 Popcorn and Pop graphics, What’s New Pussycat?, 1965
- Taking Credit: Film title sequences, 1955-1965 / 9 Conclusion
- Taking Credit: Film title sequences, 1955-1965 / 10 Bibliography
- New Faces (abstract): type design in the first decade of device-independent digital typesetting (1987-1997)
- New Faces (Introduction)
- New Faces (Historiography)
- New Faces (Typographic History in the Context of Broader Design Historical Models)
- New Faces (Chapter One: Technological and Industrial Change: Setting the Scene)
- New Faces (Mapping Contemporary Type Design)
- New Faces (Chapter Two: The West Coast)
- New Faces (Chapter Three: The East Coast)
- New Faces (Chapter Four: London)
- New Faces (Chapter Five: The Netherlands)
- New Faces (Conclusion)
- New Faces (Bibliography)
- New Faces (List of Interviews)
