A new version of the Typotheque website, which will allow us to focus on what we do best — designing fonts

Three years after graduating from Type & Media, Michelangelo Nigra completed his thesis project, which is full of surprising type details that give text a unique character and liveliness.

An affable font family with fluid stroke structure that communicates in Latin, Greek, Cyrillic, Arabic, Hebrew, Thai, Georgian, Armenian and Devanagari.

As a company that develops fonts, we’re interested in learning how people write. In particular, we want to know more about how people around the world write by hand and how they perceive handwriting by others, a topic on which we have found no current literature.

A humanist monospaced typeface with calligraphic traits, that bringing regularity and warmth into a block of text that aligns vertically.

Typotheque has designed a set of new fonts for the largest public broadcaster in Norway, as part of its brand refresh. The fonts respond to the client’s needs, creating a tool to strengthen its identity.

Typotheque has been working on an extensive historical research project, based on the development in Devanagari printing, combined with a survey of the contemporary regional preferences of Devanagari readers.

Typotheque is launching a series of Unified Canadian Syllabics fonts that support Indigenous language revitalisation and preservation efforts in North America, changing the standards of future Syllabics fonts.

A decade after Nikola Djurek drew Delvard, a collection of sans and display fonts, comes Delvard Serif, an eye-catching serif typeface in three optical sizes.

November has been completely revised, redesigned and reengineered and are now available in both static and variable font formats.

In order that we can make more informed, research-based decisions when designing Devanagari fonts, we are inviting people who regularly use the Devanagari script to take part in our survey to help us understand regional preferences for character variants.

An organically created stencil typeface that follows the logical contrast principles of letter construction until the shape is fractured at its narrowest point.