Swiss type designer Max Miedinger is primarily recognised as the designer of Helvetica. Nikola Djurek, fascinated by Miedinger’s lesser-known typefaces, has now created the Münchenstein font family, bringing together Miedinger’s first and last typefaces.

November Type System is a versatile and highly accessible collection of fonts, extensively researched to meet the preferences and needs of readers of hundreds of languages of South Asia.

At a local event in Tbilisi, Typotheque launched a large collection of new Georgian fonts designed and produced in collaboration with local designers, along with an exhibition and a book.

A new version of the Typotheque website, which will allow us to focus on what we do best — designing fonts

Three years after graduating from Type & Media, Michelangelo Nigra completed his thesis project, which is full of surprising type details that give text a unique character and liveliness.

An affable font family with fluid stroke structure that communicates in Latin, Greek, Cyrillic, Arabic, Hebrew, Thai, Georgian, Armenian and Devanagari.

As a company that develops fonts, we’re interested in learning how people write. In particular, we want to know more about how people around the world write by hand and how they perceive handwriting by others, a topic on which we have found no current literature.

A humanist monospaced typeface with calligraphic traits, that bringing regularity and warmth into a block of text that aligns vertically.

Typotheque has designed a set of new fonts for the largest public broadcaster in Norway, as part of its brand refresh. The fonts respond to the client’s needs, creating a tool to strengthen its identity.

Typotheque has been working on an extensive historical research project, based on the development in Devanagari printing, combined with a survey of the contemporary regional preferences of Devanagari readers.

Typotheque is launching a series of Unified Canadian Syllabics fonts that support Indigenous language revitalisation and preservation efforts in North America, changing the standards of future Syllabics fonts.

A decade after Nikola Djurek drew Delvard, a collection of sans and display fonts, comes Delvard Serif, an eye-catching serif typeface in three optical sizes.