In order that we can make more informed, research-based decisions when designing Devanagari fonts, we are inviting people who regularly use the Devanagari script to take part in our survey to help us understand regional preferences for character variants.
Research · 1 September 2021
After more than a year of work, the 560-page book, printed in 11 different inks, that presents the complete Typotheque collection has been published. It is a true community project that took the involvement of hundreds of people to bring it to fruition, and it includes a poem by Indian poet Tishani Doshi, written to correspond to the specific word count of the book.
New products, Announcements · 14 June 2021
An organically created stencil typeface that follows the logical contrast principles of letter construction until the shape is fractured at its narrowest point.
New fonts · 14 June 2021
Lava now includes two new weights (Thin and Light), optimised for East Asian languages and with a size-specific tracking axis in a variable font, alongside a number of other improvements.
Announcements, Updates · 25 May 2021
A year and a half after the release of the original Edge Sans, and 21 years after its original conception, comes Edge, a slab serif based on the orthogonal grid.
New fonts · 13 January 2021
2020 has been an extraordinary year, one that has taught us many lessons and forced us to set priorities. During this time, our priority became to work on all the living writing scripts of the world.
Research, Announcements · 16 December 2020
Typotheque partnered with Seoul-based Sandoll to create a brand new Hangul typeface system that would expand the acceptability of sans serif Hangul letterforms, giving users more choices to work with.
New fonts · 29 October 2020
Tremolo Sans is a surprising low-contrast typeface with large x-height and unexpected humanist details.
New fonts · 29 October 2020
Typotheque introduces free font testing and early access to upcoming releases for all font clients.
Announcements · 1 October 2020
The Q Project is a game-like type system that enables users to create a nearly infinite number of variations. Inspired by toys like Lego or Meccano, Q invites you to explore its vast creative space and discover not only new solutions, but also new problems.
New fonts, New products · 22 June 2020
The veteran and the young blood, a duo of typefaces defined by a generational divide.
New products · 14 January 2020
We share we have have learned in our practice, and we’d like to learn more from you about how we can create more useful and valuable typefaces. Please take part of our online survey.
Research · 9 January 2020
Ellen Lupton Erik Spiekermann 16th century @font-face Abbott Miller abugida activism advertising AGI Al Gore alternate glyphs Amsterdam Andrej Krátky animation Arabic architectural architecture Armenian art augmented reality Australia authorship awards bandwidth Bangla Ben Bos bible bitmap Bodoni book binding book design books branding browser calligraphic calligraphy Canada capitals Catherine Zask Central European chess symbols choreography CJK CNC router collection of work comic strip condensed conferences corporate identity cover Croatia CSS cultural studies custom fonts Cyrillic Czech and Slovak Republics dance Dance Writer decorative design criticism design heroes Devanagari diary Didone digital publishing distribution Diwani Donald E. Knuth Dutch design eBooks eclectic editorial design Elisa Biľak Emily King End User English Erik van Blokland exhibitions experimental extended extra bold Eye magazine fashion Fedra feminine film titles film/video Firefox font formats France František Štorm Fred Smeijers geometric Georgian Gerard Unger Germany Gert Dumbar graphic design Greek grotesque Gustavo Ferreira hairline hand lettering Handwriting Hangul Hans Eduard Meier Hansje van Halem Hanzi headline Hebrew high x-height high-contrast Hindi hinting Hiragana history HTTPS/SSL humanist humour icon font illustration India individual typeface industrial informal Inscriptional capitals interdisciplinary Inuit Inuktitut iPad iPhone Irma Boom ISO Italy Ivo Biľak Jan Middendorp Jan van Toorn Johanna Biľak Jürg Lehni Just van Rossum KABK Kai Bernau Kana Kanji Kannada Karel Martens Katakana Kevin Finn Kristyan Sarkis Kufic language Latin layers lecture legibility Letterror licensing lining figures low-contrast lowres Ľubomír Longauer Lukáš Timulak MacOS magazines Maria Doreuli Martin Majoor masculine Matthew Carter Max Kisman METAFONT Mevis & Van Deursen Michal Sahar microtypography modernism modular monospaced multi-purpose multilingual multiple widths multiscript music Naskhi neo-grotesk Netherlands neutral New Zealand newspaper Nikola Djurek non-Latin Nunavik offset printing old-style figures on-screen reading Ondrej Jób OpenType ordering ornaments Otabind packaging parametric pattern PDF Pentagram performance Persian Peter Biľak Photofont photography pictograms pixels politics post stamp posters pricing Print & Web licence Pro fonts programming publishing René Knip research revivals Rick Poynor Robert Estienne Robin Kinross Ross Milne round Roxane Jubert sans-serif sculpture semantic serif signage silkscreen Simplified Chinese sketchbook slab serif small caps SN Rajpurohit society software stage design Std fonts stencil Studio Dumbar superfamily SVG Sweden Switzerland symbols tabular figures Tamil TDC Winner technology Telugu testing fonts Thai The Hague theory transliteration TrueType type as object type design type modifications type specimens type systems typeface package typography unicase Unicode upgrading USA vinyl wayfinding webfonts websites William Caslon Windows WOFF wood type Works That Work magazine Yanek Iontef zodiac symbols